Vol. 27 No. 1 (2020): Single Number

DOI: https://doi.org/10.15448/1980-3729.2020.1
Published: 2020-05-29

Journalism

Cyberculture

  • The game is not over: relations between ludic appropriation and production of meaning in video games

    Emmanoel Ferreira
    e33957
    DOI: https://doi.org/10.15448/1980-3729.2020.1.33957

  • Memes of Lula in Operation Car Wash

    Adriano Charles da Silva Cruz, Itamar de Morais Nobre
    e36275
    DOI: https://doi.org/10.15448/1980-3729.2020.1.36275

  • Brazilian fansubbers and their mediation policies on digital networks

    Krystal Cortez Luz Urbano
    e36716
    DOI: https://doi.org/10.15448/1980-3729.2020.1.36716

  • I BREATH Experience and materialities of information on smart objects and digital platforms

    Elias Cunha Bitencourt, Leonardo Pastor
    e37471
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37471

Media and Culture

  • Digital media and indigenous movement in Brazil: the Organization of the Xavante Indigenous Peoples

    Rafael Franco Coelho
    e35899
    DOI: https://doi.org/10.15448/1980-3729.2020.1.35899

  • The brazilian cinema in the argentine screens in the studio period (1933-1954)

    Arthur Autran Franco de Sá Neto
    e33188
    DOI: https://doi.org/10.15448/1980-3729.2020.1.33188

  • Adolescents, television and science: an exploratory study from brazilian advertising

    Vanessa Brasil de Carvalho, Luisa Massarani
    e34458
    DOI: https://doi.org/10.15448/1980-3729.2020.1.34458

  • The futurists are coming Futurism as a media phenomenon, entrepreneurship culture and inspiration

    Vander Casaqui
    e36032
    DOI: https://doi.org/10.15448/1980-3729.2020.1.36032

  • Narrative policy on the female body in a health TV program

    Amanda Souza de Miranda, Gislene Silva
    e37504
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37504

  • Representation of punk rock from São Paulo of long playing album covers

    Herom Vargas, Renan Marchesini de Quadros Souza
    e36731
    DOI: https://doi.org/10.15448/1980-3729.2020.1.36731

  • Experience advertising The challenge of identifying mixed advertising to entertainment in YouTubers’ videos

    Maria Clara Sidou Monteiro
    e37995
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37995

  • The public image of Sérgio Moro Contentious values in the Brazilian context

    Terezinha Silva, Paula Guimarães Simões
    e37097
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37097

  • Time, media and socio-political processes in XXI century Brazil Socio-semiotic perspectives

    Paolo Demuru
    e39712
    DOI: https://doi.org/10.15448/1980-3729.2020.1.39712

Audiovisual

  • The framing of time in the local telejournalism: social temporalities in the program Terra de Minas

    Fernanda Mauricio da Silva
    e33837
    DOI: https://doi.org/10.15448/1980-3729.2020.1.33837

  • Notes on the contemporary documentary

    Laécio Ricardo de Aquino Rodrigues
    e35896
    DOI: https://doi.org/10.15448/1980-3729.2020.1.35896

  • Mario Cravo Neto and the poetry of Afro-Brazilian mythology

    Rafael Castanheira
    e34080
    DOI: https://doi.org/10.15448/1980-3729.2020.1.34080

  • The televising of the world Movements in the time between the inside and the outside of the television

    Bruno Souza Leal, Phellipy Jácome, Felipe Borges
    e36156
    DOI: https://doi.org/10.15448/1980-3729.2020.1.36156

  • The confessional device in the documentary and its effects

    Gilberto Alexandre Sobrinho
    e37567
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37567

  • The photography’s Ф (b-side)

    Mauricio Lissovsky
    e37902
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37902

Varia

  • The role of artificial intelligence algorithms in the social web

    Dora Kaufman, Lucia Santaella
    e34074
    DOI: https://doi.org/10.15448/1980-3729.2020.1.34074

  • The iterative principle in the art of comics: narratological approaches to a poetic of the repetition

    Benjamim Picado, Greice Schneider
    e34008
    DOI: https://doi.org/10.15448/1980-3729.2020.1.34008

Review

  • Media archeology and a new agenda for cinema studies

    Pablo Gonçalo
    e37720
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37720

  • PEREZ, Clotilde. Há limites para o consumo? São Paulo: Estação das Letras e Cores, 2020. 144 p.

    Jorge Antonio de M. Abrão
    e39246
    DOI: https://doi.org/10.15448/1980-3729.2020.1.39246

Movie

  • Spatial configurations between cinema and theatre in the film O Ébrio

    Margarida Maria Adamatti
    e37362
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37362

  • The image of Christ in films An idolatry case

    Pedro de Andrade Lima Faissol
    e37184
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37184

  • Iterations of cinema in films about journalists

    Thales Vilela Lelo
    e37518
    DOI: https://doi.org/10.15448/1980-3729.2020.1.37518

Pensamento Comunicacional