Cronograma de publicação da Revista Famecos 2025
Cronograma de publicação da Revista Famecos
Read more about Cronograma de publicação da Revista Famecos 2025
Revista Famecos accepts continuous-flow contributions. We only publish one issue per year, which ends at the end of December. As soon as the opinions are finalized, if approved, they immediately proceed to the editing and publication of the articles.
Cronograma de publicação da Revista Famecos
Read More Read more about Cronograma de publicação da Revista Famecos 2025
Cronograma de publicação da Revista Famecos
Read More Read more about Cronograma de publicação da Revista Famecos 2024
ERRATA - v. 31 n. 1 (2024)
A Equipe Editorial da Revista FAMECOS torna publica as seguintes alterações e substituições, na edição v. 31, n. 1 (2024). DOI: https://doi.org/10.15448/1980-3729.2023.1.45406, ID 45406, artigo L' Opacité et Intermédialité chez le cinéma de Marguerite Duras.
O artigo, publicado em 2024 pela revista, foi remanejado para a número de 2023, onde se encontram publicados os demais textos que integram o dossiê French Cinematography: from the Lumières & Méliès to VR & AI, para o qual ele foi originalmente submetido.
Read More Read more about REVISTA FAMECOS v. 31 n. 1 (2024)The Dossier “French Cinematography: from the Lumières & Méliès to VR & AI” is a publication of the Visual Culture Working Group (VIC) of the International Association for Media and Communication Research (IAMCR), organized and edited by Claudia Lambach, in partnership with Denize Araujo, VIC Chair.
Read More Read more about Preface Dossier “French Cinematography”A Revista Famecos publicará no primeiro semestre de 2023 o Dossiê “Cinematografia Francesa: na França e no Mundo”, proposta feita pelo Visual Culture Working Group (Grupo de Trabalho de Cultura Visual), da International Association for Media and Communication Research (IAMCR - Associação Internacional para Pesquisa de Mídia e Comunicação). Trata-se de uma homenagem do GT VIC e da Revista Famecos à França, e especificamente a Lyon, berço do cinema, sede da Conferência IAMCR 2023.
Read More Read more about Dossiê Cinematografia Francesa: na França e no MundoFamecos Journal is publishing this month the Dossier “Technological and Cultural Changes in the Digital Era”, proposed by the Visual Culture Working Group, of IAMCR- International Association for Media and Communication Research, an homage for China, host of the IAMCR Beijing 2022 Conference.
Read More Read more about Dossier “Technological and Cultural Changes in the Digital Age”"Past the initial, heroic phase, podcasting and social radio have been appropriated by large media and culture conglomerates, that present themselves as the new middlemen of the information and entertainment industries. Media industries operate through a complementary logic, as they conciliate digital and analogic in a commercial strategy for maximizing their reach across multiple audiences". Marcelo Kischinhevsky, "Social radio: mapping new audio interactional practices": https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/12323
Read More Read more about Podcasting and social radioThe article by researcher Marcelo Moreira Santos (PUC-SP) aims at analyzing the organization of semiotic bundles or network of signs situated between the shot and the mise-en-scène on the recent Quentin Tarantino’s movie. The purpose is to observe how such signs’ nuances and gradations flow, and how they dialog with the viewer. We base the analysis in Peirce’s Semiotics in junction with the Systemic Theory of Edgar Morin, Jorge Vieira and Ilya Prigogine, as well as Lacan’s Psychoanalysis. We conclude explaining how such interactions and exchanges evolve into legaliformes attractors which work as organizational parameters of meaning. Read the full article:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/25171/15212
This study by Neura Cézar examines reception from an emotional perspective, highlighting the dualities and contradictions that affect the reception process as well as the emotional mechanisms employed by TV. Results indicate the need to create consciousness about the ways reception relates to the emotional dimension, since the effects of television (media) and its influence, intentional or not, conscientious or not, occur in the emotional sphere. It is from the emotion that it can impact the unconscious and thus influence our beliefs, values and behavior. Link for full text: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24804
Read More Read more about TV reception: active and personalized, a minefield
The article proposes a discussion about scans, a recent phenomenon of cyber culture, offering clues to understand the transformations of this new space of interaction/collaborative participation and addressing the perception of different actors in our recent hyper technological culture. As research on networked collaborative forms is fairly recent, any investigation can offer valuable clues on the course of culture and media. Link for full text:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24841
Read More Read more about Scans and their subcultural and collaborative environmentIn describing of normative theories of journalism stereotypical approaches are commonly used. Generally, they reflect traditions of the press which emerged in Western civilization. However, the national experience of other countries offers fundamentally different solutions, by the content and methodology of analysis. In particular, this relates to Russia. The article is an attempt to make the necessary diversity in the study of this essential subject. Read in:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24742
Read More Read more about Normative theories of journalism in Russia: stage of originResearchers Fernanda Lima Lopes, Maurício da Silva Duarte (UFRJ) and Itala Maduell Vieira (UERJ) evaluate the construction of meaning of investigative journalists in movies, with the goal of understanding such representations and the ways in which they interact with the process of journalistic identity building. Two Hollywood feature films based on true stories - "All The President’s Men” (1976) and “Spotlight” (2015) - are analyzed, as they mobilize lasting stereotypes (credibility, neutrality, heroism) of investigative journalism and recognize their power in the social space. Moreover, these narratives present themselves as “neutral” and truthful versions of the facts they address, blurring the process of selection and editing – common to journalism and cinema – and, in the case of the 2015 movie, erasing the context of journalism in the 21st Century. Theoretical-methodological framework is based on the analysis of textually oriented discourse (Fairclough, 2001) and on the semiology of social discourses(Pinto, 2002). Link for full text: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/26904/15699
Read More Read more about Cinematographic representations of investigative journalism in “All The President’s Men” (1976) and “Spotlight” (2015)
O artigo dos pesquisadores Fernanda Lima Lopes, Maurício da Silva Duarte (UFRJ) e Itala Maduell Vieira (UERJ) avalia a construção dos sentidos mobilizados em relação à figura do jornalista investigativo em produções cinematográficas, com o propósito de entender estas representações e de que modos interagem com os processos de construção da identidade jornalística. São analisadas duas produções hollywoodianas, baseadas em casos reais: "Todos os homens do presidente", de 1976; e "Spotlight", de 2015. Os filmes mobilizam estereótipos duradouros (credibilidade, neutralidade, heroísmo) sobre os jornalistas investigativos e a um dadoreconhecimento de seu poder no espaço social. Além disso, essas narrativas apresentam-se, elas mesmas, como versões “neutras” e verídicas sobre os fatos que abordam, apagando os processos de seleção e edição – comuns ao jornalismo e ao cinema – e, no caso do segundo, o próprio contexto do jornalismo no século XXI. O referencial teórico-metodológico se apoia na análise de discurso textualmente orientada (Fairclough, 2001) e na semiologia dos discursos sociais (Pinto, 2002). Leia o texto completo no link abaixo.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/26904/15699
Read More Read more about Representações cinematográficas do jornalismo investigativo em Todos os homens do presidente (1976) e Spotlight (2015)O artigo dos pesquisadores Fernanda Lima Lopes, Maurício da Silva Duarte (UFRJ) e Itala Maduell Vieira (UERJ) avalia a construção dos sentidos mobilizados em relação à figura do jornalista investigativo em produções cinematográficas, com o propósito de entender estas representações e de que modos interagem com os processos de construção da identidade jornalística. São analisadas duas produções hollywoodianas, baseadas em casos reais: "Todos os homens do presidente", de 1976; e "Spotlight", de 2015. Os filmes mobilizam estereótipos duradouros (credibilidade, neutralidade, heroísmo) sobre os jornalistas investigativos e a um dadoreconhecimento de seu poder no espaço social. Além disso, essas narrativas apresentam-se, elas mesmas, como versões “neutras” e verídicas sobre os fatos que abordam, apagando os processos de seleção e edição – comuns ao jornalismo e ao cinema – e, no caso do segundo, o próprio contexto do jornalismo no século XXI. O referencial teórico-metodológico se apoia na análise de discurso textualmente orientada (Fairclough, 2001) e na semiologia dos discursos sociais (Pinto, 2002). Leia o texto completo no link abaixo.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/26904/15699
Read More Read more about Representações cinematográficas do jornalismo investigativo em Todos os homens do presidente (1976) e Spotlight (2015)In this article, researchers Jussara Maia (URFB), Igor Sacramento (UFRJ) and Valéria Vilas Bôas (UFBA) analyze how TV Globo’s "Encontro com Fátima Bernardes" builds subject positions for the feminine attached to a dominant femininity representation, establishing resonances and tensions with values that are both contested and realized in contemporary society. The researchers observe the production strategies used to emphasize characteristics of a dominant model of female subjectivity in the process of defining the format. They also demonstrate how the way of regarding the feminine on the program reverberates a dominant cultural disposition in relation to the place of women, configured through the patriarchal discourse. Read full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27064/15702
Read More Read more about The control of female body on the TV program Encontro com Fátima Bernardes: subjectivity, text and context
This article by researchers Eloisa Loose (UNINTER), Ângela Camana and Roberto Belmonte (UFRGS) proposes a debate about the role of journalism in giving visibility to environmental risks. After reviewing the literature on the subject and discussing examples of coverage of environmental threats in the news, it verifies that there is indeed much "silencing" in journalism, as it concludes that the same values that guide the construction of news prevent the emergency of a journalism committed to risk awareness. It then argues that changes in society should also be applied in the logics of journalism. Link for full article: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/26545/15688
Read More Read more about The (non) coverage of environmental risks: a debate on the silencing of journalismThis article by researchers Fábio Hansen (UFPR), Rodrigo Correa (UFPE) and Juliana Petermann (UFSM) reflects on the possible dimensions of significant experiences in teaching advertising creation: narratives, distance from market practices, repertoire build-up, playfulness and personalization. Departing from a discursive conception based on Pêcheux, it examines notions of authorship and of discursive place. The writers endorse the type of docent practice that provides learning situations for displacement of sense and the insertion of the student in the discursive game, ensuring significant experiences by means of authorial gesture. Link for full article: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/25999/15691
Read More Read more about Authorial gesture: assurance of significant experiences in teaching advertising creation“Contrary to the myth of Prometheus - the rational domestication of nature -, we watch, according to Maffesoli, the return of the Dionysian values, which hide a logic of passions that surpasses the realm of sexual practices. This exacerbation of affections is rooted in a subterranean centrality, characteristic of the post-modernity, and whose tribal forms of aggregation, e.g. the youth, constitute sociological evidence.” (Patrick Tacussel). Read on: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3163
Read More Read more about Interpretive sociology
“Nowadays, more mature e impatient, the audience enjoy a varied symbolic basket that brings them cheer and excitement. The new era, despite bewilderingly searching for a baptismal name, at least reaffirms what it was clear from the start: amongst all the listed factors - authors, readers, contexts and meanings - technology reconquers its place of honor. Massive mediation is technological in essence, and its role in the mediated communicational process is decisive.” (Jacques A. Wainberg). Read on: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3190
Read More Read more about Production, audience and technology: who runs the show on TV?Women have made fewer films than men, although increasingly enhance their production. Still, many of their films were ignored or given little attention to. To understand this imbalance, this article of researcher Karla Holanda (UFJF) is a panel on the secular discrimination of women in society. It also shows that there has always been resistance to this subjugation of women. The text reinforce the reason to highlight films made by women and discuss three films little know in the history of brazilian cinema, even if they bring stylistic elements, historical and overwhelming thematics – A entrevista (Helena Solberg, 1966), Os homens que eu tive (Tereza Trautman, 1973) e Feminino Plural (Vera de Figueiredo, 1976). Check out the full article in the link below
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24361/15015
Read More Read more about From women’s history to Brazilian women’s filmmakingThe article produced by researchers Simone Pereira de Sá and Beatriz Polivanov (UFF) discuss about taste, value and symbolic disputes (Bourdieu, 2008, Thornton, 1996, Frith, 1996) in a Brazilian electronic music scene (Straw, 1991). The analysis focuses on the model Jesus Luz case, who dated the singer Madonna and, later, became DJ, raising a series of controversies related to the authenticity of his performances. The case of Jesus Luz is treated as a controversy (Latour, 1994; 2005) that allows us to apprehend the performance of taste (Hennion, 2003; 2007) of the actors of the electronic scene "in action". Access the full text at the link below.
Http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20971/13700
Read More Read more about DJ Jesus Luz ?! Controversies, subcultural capital and taste performance in an electronic music scene"I believe the television offered in the United States is becoming much more sophisticated than cinema. There are very few North American movies that work with subjectivity, those are more prominent in the European, Asian or Latin American cinema. But in television, yes. One could suspect that it has to do with the way television relates with the home, with the family, with the domestic routine." (Néstor García-Canclini)
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3371/2636
Read More Read more about Interview with Néstor García-CancliniThis article, written by UFRGS researchers Alex Primo, Vanessa Valiati, Ludmila Lupinacci and Laura Barros, examines how a broad range of communication online services participate in the creation and maintenance of interpersonal relationships in the contemporaneity. By articulating theoretical and empirical perspectives, it investigates how intertwining usage of different digital platforms has been transforming social practices and conversations in the context of cyber culture. Special attention is given at how people appropriate of such services, combining them to achieve various relational goals within various groups in distinct times and places. Based on empirical research with 810 people — all residing in the South and Southeast regions of Brazil, older than 16 years of age and with the minimum of incomplete undergraduate education —, this article defines and discusses the phenomenon of “fluid conversations”. Click on link for the full text:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/24597/15011
Read More Read more about Fluid Conversations in Cyber Culture"Creating is deviating of certain rules, laws and social conventions and their most representative symbols, searching new semiotic configurations and new possibilities of signification, so that the new, the inedited, may appear and renew once again the social "(Flávio Vinicius Cauduro).
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3141/0
Read More Read more about Design and transgression“The French bourgeois only accepted cinema because of its documenting function, as fiction was belittled for being a popular distraction” (Michel Marie, interviewed by Eduardo Portanova)
http://rev.istaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3428
Read More Read more about Interview with Michel Marie
“Faced with the question: why do people watch Big Brother?, Baudrillard suggests the hypothesis of the ‘radical democracy’. In a conventional democracy, the price of fame was merit. Big Brother establishes the ‘radical democracy’: everyone can be famous without any merit, just by becoming visible. Triumph of mediocrity in the age of disposable celebrities” (Juremir Machado da Silva).
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3407
Read More Read more about A tribute to Baudrillard“Creative writing finds in hypermedia and hypertext a territory open to the mixture of all poetical forms, which provides a true reinvention of writing and a renewal of the poetical forms.” (Raquel Ritter Longhi). Read on: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3103
Read More Read more about Digital Narratives and Circular Structures“No advertisement, even the most seductive one, will be able to convince post-modern consumers to abdicate their freedom of choice, something that they have conquered with much struggle. As for the rest, the challenge remains to make their arguments creative enough to be heard in the competitive market of ideas." (Gilles Lipovetsky).
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3062
Read More Read more about Postmodern Consumers"The mere existence of a collective place, or of an artificial social network (people connected via a system that keeps them together) does not guarantee the existence of strong bonds and, much less, the creation of social capital and the sedimentation of this capital amongst those involved." (Raquel Recuero, 2005). Read on: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3340
Read More Read more about A survey of the social capital generated from social networks on Orkut and Weblogs"Virtual communities can be like pubs, bistros, cafés. They have neither the intimacy we find within our families, nor the anonymity we find in the streets. They are situated between the public the private. That type of place has become rare in the real world […]". Read on:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3057
Read More Read more about Sherry TurkleA Revista Famecos é um espaço de debate acadêmico singular, de reflexão teórica e empírica, mas também de descoberta de novos olhares culturais desde a perspectiva interdisciplinar da comunicação no espaço ibero-americano. A excelente qualidade dos trabalhos até agora publicados, assinados por autores de referência internacional como Jean Braudillard, convertem à Revista Famecos numa das publicações latinoamericanas mais relevantes e influeintes para o estudo dos diferentes fenômenos da comunicação panorama atual.
Read More Read more about Alberto Pena-Rodríguez, Universidade de Vigo (Espanha)“The politician takes his dignity from the knowledge’s tree. Without it, ends in the bath’s dirty water, the famous adherent politics, laugh object and general disdain. In the same way, he should know to capture the “principle-spirit”, the “force-idea” of each historical era that works as underground agent producing life and movement”. Check out: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/13644
Read More Read more about Michel Maffesoli
“No advertisement, even the most seductive one, will be able to convince post-modern consumers to abdicate their freedom of choice, something that they have conquered with much struggle. As for the rest, the challenge remains to make their arguments creative enough to be heard in the competitive market of ideas." (Gilles Lipovetsky).
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3062
Read More Read more about Postmodern Consumers"(...) to create is to deviate from certain rules, norms and social conventions and its most representative symbols in search of new semiotic configurations and new possibilities of signification. Only then the new, the unprecedented, can appear and renew once again the social" (Flávio Vinicius Cauduro).
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3141/0
Read More Read more about Design and transgressionRoberto Tietzmann creats the covers of our editions. He is a permanent member of professors and researchers staff at PostGraduate Program in Communication of FAMECOS (PUCRS) . He is coordinator of the research group ViDiCa - Digital Audio Culture and adjunct coordinator of DaVIs - interdisciplinary research project of visual data mining. He is PhD in Social Communication from PUCRS (2010), when he studied visual effects, film editing and narrative through King Kong films. He is a Master's degree in Social Communication from PUCRS (2005), researching visual communication and cinema through film credits. Professor Tietzmann graduated in Marketing and Advertising at UFRGS (1997), when studied human-computer interfaces for interactive communication products.
Lattes: http://lattes.cnpq.br/2403852593758632
Read More Read more about Professor Tietzmann: Revista Famecos covers creator(...) "the biggest challenge of knowledge has become its conversion into commodity and its integration in the new industrial, commercial, political and military strategies. A time when the criteria for validating knowledge that imposes itself is the performance, the measurable efficiency in relation to the input/output, the operating language of those who decide, and the capital" (Armand Mattelart). Read on:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/5399
Read More Read more about Information age: genesis of an uncontrolled denomination
"(...) Nietzsche's radical and negative criticism of the mass culture is most valuable and it would certainly find a large number of targets nowadays. Contrary to Nietzsche, however, I would defend a more dialectic view - one that regards what I call media culture as a disputed territory, a place of social struggles that carries both reactionary and progressive, affirmative as well as oppressive elements - in relation to life." (Douglas Kellner).
Read on:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3078
The article by UFMG researchers Luiz Henrique Assis Garcia and Pedro Silva Marra attempts to understand how, through the use of sound and popular music, town folk delineate different practices to share, dispute and divide space in two public squares in the Brazilian city of Belo Horizonte. In order to do that, they play with audio intensity, frequency and spaceality, generating different musical repertoires. Taking the sound landscape as a methodology that allows access to sound and the musical practice located in the space on its own materiality, this study analyses texts, images and sounds to demonstrate how people shape sound frontiers and landscapes - mobile e transitory, but recurrent - “DJing” a place's sonority via communication technologies. Read the full article in the link below:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/21533/13672
Read More Read more about Polyphonic Squares: sound and popular music as communication technology in the urban spaceResearcher Cândida Emília Borges Lemos (UNA) analyses the journalistic performance of Brazilian weeklies Istoé and Veja during the 1987/88 Constituent Assembly in Brazil. The press is contemplated as part of the political and social culture of a nation. Therefore it generates opinions and world visions, while at the same time it reflects the social and political dynamics. It is the synthesis of a certain historical period and contributes to the formation of this same period, as it creates ideological and value referential in public opinion. During that period, the debates taking place at the Constituent Assembly reflected the political forces that acted in the social fabric to manufacture a constitution. In such context, each voting session reflected the social dispute, beyond the political parties, in the game of interests of certain groups and social segments and their ideologies. Read the full article in the link below:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/21448/13669
Read More Read more about The construction of the 1988 Constitution in the eyes of the pressSince 1996, researchers discusses, theoretically and empirically, about which democratic and strategic benefits derives from online direct communication between candidates, political parties and voters. The article of researcher Camilo de Oliveira Aggio (UFBA) aims at evaluate the frequency of interactive features adoption by the three main candidates running for president of Brazil in 2010 on twitter using a methodological approach to distinguish real interactions between campaigns and voters from messages that contains interactive features but are not translated in real discursive exchanges. This paper concludes that the three main candidates interacted in significant levels. However, the direct interactions between the three main campaigns and Twitter users were not used to discuss ideas, plans and positions on political issues. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22088/13705
Read More Read more about Online Campaigning and Twitter: communicative interaction between campaigns and voters in 2010 Brazilian presidential election"Big Brother has become a universal concept, a synthesis of a human amusement park, of ghetto, of locked room and of Exterminating Angel. The voluntary reclusion as laboratory of a synthetic coexistence, of a telegenetically modified sociality." (Jean Baudrillard)
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3148/2419
Since 1996, researchers discusses, theoretically and empirically, about which democratic and strategic benefits derives from online direct communication between candidates, political parties and voters. The article of researcher Camilo de Oliveira Aggio (UFBA) aims at evaluate the frequency of interactive features adoption by the three main candidates running for president of Brazil in 2010 on twitter using a methodological approach to distinguish real interactions between campaigns and voters from messages that contains interactive features but are not translated in real discursive exchanges. This paper concludes that the three main candidates interacted in significant levels. However, the direct interactions between the three main campaigns and Twitter users were not used to discuss ideas, plans and positions on political issues. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22088/13705
Read More Read more about Online Campaigning and Twitter: communicative interaction between campaigns and voters in 2010 Brazilian presidential election"Big Brother has become a universal concept, a synthesis of a human amusement park, of ghetto, of locked room and of Exterminating Angel. The voluntary reclusion as laboratory of a synthetic coexistence, of a telegenetically modified sociality." (Jean Baudrillard)
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3148/2419
The article produced by researchers Simone Pereira de Sá and Beatriz Polivanov (UFF) discuss about taste, value and symbolic disputes (Bourdieu, 2008, Thornton, 1996, Frith, 1996) in a Brazilian electronic music scene (Straw, 1991). The analysis focuses on the model Jesus Luz case, who dated the singer Madonna and, later, became DJ, raising a series of controversies related to the authenticity of his performances. The case of Jesus Luz is treated as a controversy (Latour, 1994; 2005) that allows us to apprehend the performance of taste (Hennion, 2003; 2007) of the actors of the electronic scene "in action". Access the full text at the link below.
Http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20971/13700
Read More Read more about DJ Jesus Luz ?! Controversies, subcultural capital and taste performance in an electronic music sceneThis article, produced by the researcher Ricardo Ferreira Freitas (UERJ), discuss about three Simmel texts written for the Berlin press, inspired by his anguish during the First World War: "The Idea of Europe", published on March 7th, 1915, in the Berliner Tageblatt; "Europe and America in World History", published on July 4th, 1915, at the Berliner Tageblatt; and "Bergson and the german cynicism", published on November 1st, 1914, at the Internationale Wochenschrift für Wissenschaft, Kunst und Technik. Simmel's texts for the press constitute important material for studies in communication, due to the freedom with the author expresses itself to the general public, without abandoning fundamental concepts of his sociology. One result of this research points the conflict as a fundamental component of communication processes, since dissent, disagreement and struggle imply the understanding of communication codes from both parts. Read the full article at the link below:
Http://en.wikipedia.org/w/index.php?title=article&view=23336/14597
Read More Read more about About Simmel and the War: Written in the German PressFrom a contextualization of reconfigurations of television and telenews nowadays, the researcher Beatriz Becker (ECO-UFRJ) presents a mapping of researches in Telejournalism in Brazil. It reveals the state-of-the-art of television news studies under different approaches, identifying its main institutional and regional representations, issues discussed and theoretical-methodological references adopted. The study consists in a contribution to the continuous advancement of research in this field of knowledge, considering that analyzes of production, distribution and consumption of television and news on TV in different contexts collaborate in the understanding of television journalism as a relevant cultural phenomenon in contemporaneity. Access the full text at the link below:
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20534/13483
Read More Read more about Mapping researches in Telejournalism in Brazil: a study of academic-scientific production since 2010 to 2014The text of researcher Maria João Silveirinha (Universidade de Coimbra) seeks to find the programmatic links developed in Chicago at the turn of the twentieth century to a feminist vision of society as an organic whole. To this end, the text revisits the contribution of Jane Addams, one of the pioneers of American social theory. Although not directly associated with the Chicago School, her work was very influential to several authors of the School who also influenced her. Of these, particularly highlight John Dewey and try to establish the links between his thoughts about community, the focus of classic American pragmatism on communication and a feminist transformation of ethics. The conclusion is a reference to urgency of rereading Addams and Dewey in their understandings of the community in the current neoliberal times that led to the recent closing of what was left, in practical terms, of Janes Addams’ important work on the communities she sought to develop and strengthen. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22744/14610
Read More Read more about On the trail of Chicago women: organic and radical connections of classic american pragmatismThe filmmaker Carlos Diegues coined in 1978 the term “ideological patrols” in reference to some leftist film critics who try to control the artistic production from their political reason. The initial sticking point was born after the negative reviews of the underground press about Xica da Silva (1976). The article examines the critical reception of Diegues film in the newspapers, giving special attention to the texts that created the debate. At that time, the national popular culture was used as an analysis criterion for Brazilian films. We elucidate in firsthand the backstage and internal controversy caused by Xica in underground newspaper Opinião, in a period of increasing leftist fragmentation.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/23120/14605
Read More Read more about Film criticism and ideological patrol: the case of Carlos Diegues’ Xica da SilvaThis article of researcher Ana Paula da Rosa (Unisinos) begins with the word attack in order to deal with symbolic images that are constructed by the media coverage. Based in the recent events in France involving the newspaper Charlie Hebdo and the dissemination of videos made by the Islamic State, it is asked which is the meaning that the word attack summons? The premise is that the collective imaginary is activated by media phenomena whenever an attack occurs worldwide. So, it is possible to say that there is a recurring figure, socially shared, with regard to the crystallization of the image of the word attack? Thus, this article is organized in three stages: a) the conceptual notions; b) the media context of images appearance/reappearance, and c) the articulation of the attacks with the idea of a totemic image by circulation. The base hypothesis is that the image of September 11, 2001 is the adherent figure, called either by journalism or by social actors to maintain the connection with the collective imaginary. Check out the full article in the link below
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20992/13493
Read More Read more about Looping attacks: when a word activates an imageThe paper “Pandemic and biography in journalism: an analysis of the personal accounts of experience with Influenza H1N1 in O Dia”, of researchers Igor Sacramento and Kátia Lerner (UFRJ), published between May and August 2009, analyzes the personal narratives of experience with H1N1 influenza published in the newspaper O Dia, between May and August 2009, under two different formats: Viva Voz and Carta Aberta. This types of discourse constitutes an extension of direct speech and the presence of the “other” within the news reports, gaining a specific space to small autobiographical narratives anchored on the experience with the new disease. In these autobiographical spaces, the authors identified an oscillation between victimization, shame, guilt and indignation. The authors concludes that the subjectivity and otherness reinforces the referential pact and authority of journalistic enunciation. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/19552/13484
Read More Read more about Pandemic and biography in journalism: an analysis of the personal accounts of experience with Influenza H1N1 in O Dia
The article “Academic social networks: the conditions of existence in the area of communication sciences in Brazil”, of researcher Dalton Martins (UFG), presents a study on the social academic collaboration networks forming conditions applied to the area of Communication Sciences, seeking to highlight the relationship between social practices, regimes of truth and the immanence plane formed by the social relationships in this area and the structural indicators used to analyze empirically co-authoring network of researchers. The study compares the results with academic social networks from other areas of knowledge and allows highlighting the specifics of the communication area and the relationship of these factors with the own history of formation of the Communication area in Brazil. The methodology is composed by a bibliographic review of studies analysis of social networks of scientific collaboration in several areas of knowledge and uses the data base of magazine website of communication area universcience. Org to analyze over 9800 scientific articles in a historic production of 42 years. The results point to strong features such as highly fragmented, low collaboration index and dispersion among various groups. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/23391/14609
Read More Read more about Academic social networks: the conditions of existence in the area of communication sciences in BrazilThis article of researcher Mozahir Salomão Bruck (PUC Minas) combines a conceptual review of journalism as a builder of reality to the discussion of the concept of Alfred Schutz (1976) about the social distribution of knowledge. From the three ideal types outlined by Schutz - the expert, the informed citizen and the man on the street - this text took up for analysis the media in the episode in which the journalist Rachel Sheherazade, SBT, commented a popular action in Rio de Janeiro, when people arrested a suspicious boy of committing theft to a street pole.
Read More Read more about Schutz, Sheherazade and the man on the street: revisiting aspects of journalism as a builder of realityThe article “Women in Godard: counterpoints to the feminist film theory in Une Femme est une Femme” (1961), of researcher Rodrigo Cássio Oliveira (UEG), proposes to review the Laura Mulvey’s discussions about the male look of narrative movie, based in an interpretation of cinematographic language and Freud’s psychoanalysis. The contribution of this review to the communication/movie knowledge area is to confront the methodological perspectives that are in a text: the filmic analysis and its possibilities of systematize the knowledge about the narrative movie process (supported and practiced in the article), and the theoretical claim more universalistic, that theorizes the same process without attach to the specific cases. The paradigm of film feminist studies is in continuous review and this unprecedented work contributes to this, because brings questions to the methods historically used by the academic research of area. Check out the full article in the link below. https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22912/14604
Read More Read more about Women in Godard: counterpoints to the feminist film theory in Une Femme est une Femme (1961)Based on two articles published at the websites Terra and G1, the researchers Fábio Cruz (UFPel) and Guilherme Oliveira Curi (UFRJ) propose a structural language study of the analytical corpus about the concert of British singer Robert Plant with his “Sensational Space Shifters” band that was held at Lollapalooza Festival, in São Paulo on March 2015. Therefore, the authors adopted as theoretical approach the Roland Barthes (1971) assumptions of semiotics, set in the production of meaning in the verbal level through the type of information. The research is also based on the notions of fait divers’ concept and is conducted by the structuralist method. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/21316/13485
Read More Read more about Communication breakdown: the coverage of the Robert Plant concert at Lollapalooza festival in the light of fait diversThe article “Are we still the same? Media representations of youth in social movements, yesterday and today” of researcher Cláudia da Silva Pereira (PUC-Rio) focus mainly in the process of building of media representations of youths, taking the Theory of Social Representations as base to discussion. The author considers that the work promotes a closer look to social representations as communication object. Moreover, suggest a historical and conceptual comparative approach to look at the current social phenomenon. Possibly, it was the first effort, in area, to understand the phenomenon of protests in June 2013 in Brazil. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22285/14612
Read More Read more about Are we still the same? Media representations of youth in social movements, yesterday and todayThe paper of researcher Francisco Barbosa da Silva (PUCSP) has the objective of analyze coffee table books as one of a series of devices of sociocultural identity. The hypothesis under consideration is that, since they are especially laden with visual appeal, these works are highlighted in the ambience for merely decorative purposes but, in fact, the intention is that they serve as emblems of a variety of esthetic signals, and thus reveal the persona of the one who has put them on display. The object, which is symbolized by the work from Germany’s Taschen publishing company, is interpreted according to Agamben’s device concept. In order to highlight the specific elements in the books that give rise to sociocultural identity, the author examines studies on object systems, consumer habits, luxuries, and cultural capital. The works are also analyzed as goods with symbolic and fetish value. Check out the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/19290/13218
Read More Read more about Coffee table book as a device of sociocultural identityThe article “Narrative ways of world making: journalism, fiction and truth”, of researcher Antonio Claudio Engelke Menezes Teixeira (UERJ), contributes to improve the critical perspective to the main ideological foundation of journalistic activity, its pretense objectivity, to scape to objections traditionally made to this perspective. The work completes effectively the theoretical movement initiated by journalism proponents as a narrative enterprise. Building an epistemological argument that impact directly in the constitution of normative ideal of journalism.
Read More Read more about Narrative ways of world making: journalism, fiction and truthSocial and cultural consumption of film products still is rarely studied by Brazilian researchers, creating a significant gap about the importance of “going to the movie theater”, especially in the case of subordinate social groups. The study of professor Dr. Cláudio Bertolli Filho (UNESP) uses the features and concepts proposed by the autoethnography, through of dialogues between five individuals, who accompanied by their families, attended during the decade of 1960 the Cine Real, located in the municipality of São Caetano do Sul, São Paulo State. Weekly frequency to the movie theater resulted in a set of cultural and aesthetic experiences that affected the daily lives of working families and left significant marks in the life trajectory of the group members who collaborated with the research. Read the full article in the link below.
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/19301/13239
Read More Read more about Cine Real: ethnography of a movie theater for workersThe paper of researchers Myrian Regina Del Vecchio de Lima (UFPR) and Kati Eliane Caetano (UTP) seeks to understand where begin a research that look for define the epistemological implications about new journalistic practices.
Read More Read more about Epistemological implications for research in new journalistic practices: where to start?
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