Vol. 21 No. 1 (2014)

View Vol. 21 No. 1 (2014)
DOI: https://doi.org/10.15448/1980-3729.2014.1
Published: 2014-06-04

Presentation

  • Presentation

    Carlos Gerbase, Beatriz Dornelles
    3-4
    DOI: https://doi.org/10.15448/1980-3729.2014.1.17609

Cyberculture

Journalism

Communication Theories

  • Power of the formations: the artist, the king, the queen, the painting, the movie...

    Potiguara Mendes da Silveira Jr.
    165-185
    DOI: https://doi.org/10.15448/1980-3729.2014.1.14077

Behavior and Consumption

Organizational Communication

  • Organizational contexts: culture as constituents of identity and imaginary

    Caroline Delevati Colpo
    251-267
    DOI: https://doi.org/10.15448/1980-3729.2014.1.13659

  • Effects of organizational culture in the development of models of corporate governance

    Elaine Cristina Lopes, Marta Lígia Pomim Valentim, Bárbara Fadel
    268-286
    DOI: https://doi.org/10.15448/1980-3729.2014.1.13830

Movie

  • Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema

    Pedro Maciel Guimarães
    287-307
    DOI: https://doi.org/10.15448/1980-3729.2014.1.14520

  • The staging of the gaze in the cinema of Nouvelle Vague

    Luis Henrique Boaventura, Ernani Cesar de Freitas
    308-328
    DOI: https://doi.org/10.15448/1980-3729.2014.1.14356

  • Symmetries, repetitions and variations – Mozart's C-minor Mass in A man escaped by Robert Bresson

    Luíza Beatriz Amorim Melo Alvim
    329-351
    DOI: https://doi.org/10.15448/1980-3729.2014.1.14279

Review

  • Digital vertigo: why social networks are dividing, diminishing and disorienting us?

    Tauana Mariana Weinberg Jeffman
    352-359
    DOI: https://doi.org/10.15448/1980-3729.2014.1.17608

  • The mise en scène in the cinema: from the classic to flow cinema

    Emiliano Cunha
    360-364
    DOI: https://doi.org/10.15448/1980-3729.2014.1.17610