Vol. 12 No. 3 (2019): Literatura e Fotografia

Organizadores:

Prof. Dr. Charles Monteiro (PUCRS-Porto Alegre, Brasil)

Prof. Dr. Gonzalo Leiva Quijada (PUC-Chile)

Doutorando: Ívens Matozo Silva (PUCRS – Porto Alegre, Brasil)

DOI: https://doi.org/10.15448/1984-4301.2019.3

Published: 2019-12-16

Editorial

Literature and Photography: on the broadening scope of a new research field in the 21st century

Charles Monteiro, Gonzalo Leiva Quijada, Ívens Matozo Silva

e35374
- PDF (Português (Brasil))

Articles

“Retrato de família”: a poem in black and white

Ana Claudia Costa dos Santos

e32866
- PDF (Português (Brasil))
Profanated portraits: an analyze about death and photograph in Carlos Drummond de Andrade’s poetry

Mariane Pereira Rocha, Aulus Mandagará Martins

e32893
- PDF (Português (Brasil))
The image of the word and the word of the image: the photographic tale of Tércia Montenegro

Lúcio Flávio Gondim da Silva

e32923
- PDF (Português (Brasil))
Poetry and photography: a path to literary literacy

Patrícia Dauhali Clemente Guimarães

e33336
- PDF (Português (Brasil))
Illustration and photoliterary complementarity: the case of Nadja, by André Breton

Juliana Estanislau de Ataíde Mantovani

e33338
- PDF (Português (Brasil))
The aesthetic experience of the gaze: seeing and hearing in the conformation of the word woven in the work Quipu Mapocho by Cecilia Vicuña

Dagmar Jana Bachraty

e33344
- PDF (Español (España))
Photographic dictator replacement: possible representations and readings of p14311

Airton Pott

e33347
- PDF (Português (Brasil))
Photography as fiction-image in Alice in Wonderland, by Suzy Lee

Luis Carlos Girão

e33357
- PDF (Português (Brasil))
The use of photography in Nove noites, by Bernardo Carvalho, and Vou lá visitar pastores, by Ruy Duarte de Carvalho

Daniel Moutinho Souza

e33362
- PDF (Português (Brasil))
Photography and abstract art: crossings among record, fiction and testimony in Gerhard Richter

Lóren Cristine Ferreira Cuadros

e33375
- PDF (Português (Brasil))
Interart poetics: on the literary creation thresholds

Fernanda Borges

e33377
- PDF (Português (Brasil))
To write oneself, to photograph oneself: convergences between Vivian Maier and Ana Cristina Cesar

Julia Pasinato Izumino

e33380
- PDF (Português (Brasil))
Conception and collapse of the paternal image in the book When my father met the ET it was a hot day, by Lourenço Mutarelli

Caroline Aparecida dos Santos Fernandes

e33499
- PDF (Português (Brasil))
Images of who writes: notes about the place of the writer

André Magri Ribeiro de Melo

e33500
- PDF (Português (Brasil))
Didi-Huberman and the writing: to try to see between the image and the concept

Tatiane França Rangel

e33501
- PDF (Português (Brasil))
Magela Ferrero’s Photographic Poems: writing and image resistance in Personas que tienen hambre (2011)

Maria Fernanda Piderit

e34949
- PDF (Español (España))
Between document and fiction: photo-reports in Spain of the 1960s

Elisa Maria Amorim Vieira

e34950
- PDF (Português (Brasil))
The South American Misionery Magazin, 1893-1903. The Anglican written and photographic discourse on the construction of the Araucanian Indians

Jaime Edgardo Flores Chavez, Daniel Carter

e34961
- PDF (Español (España))
Photography and representation in the novel The map and the territory by Michel Houellebecq

Maria Cristina Baranlloni Lagos

e34991
- PDF (Español (España))
About photography and condensation: the collection “lo mínimo”

Fernando Cury de Tacca

e34999
- PDF (Português (Brasil))
Unhiding hidden urban madness: the asylum photographs of Claudio Edinger

David William Foster

e35337
- PDF
Agencies that matter. A set of (im)pertinent photographies

Hurí Elizabeth Tornay

e35281
- PDF (Español (España))

Vol. 12 No. 3 (2019): Literatura e Fotografia

Editorial

Literature and Photography: on the broadening scope of a new research field in the 21st century

Articles

“Retrato de família”: a poem in black and white

Profanated portraits: an analyze about death and photograph in Carlos Drummond de Andrade’s poetry

The image of the word and the word of the image: the photographic tale of Tércia Montenegro

Poetry and photography: a path to literary literacy

Illustration and photoliterary complementarity: the case of Nadja, by André Breton

The aesthetic experience of the gaze: seeing and hearing in the conformation of the word woven in the work Quipu Mapocho by Cecilia Vicuña

Photographic dictator replacement: possible representations and readings of p14311

Photography as fiction-image in Alice in Wonderland, by Suzy Lee

The use of photography in Nove noites, by Bernardo Carvalho, and Vou lá visitar pastores, by Ruy Duarte de Carvalho

Photography and abstract art: crossings among record, fiction and testimony in Gerhard Richter

Interart poetics: on the literary creation thresholds

To write oneself, to photograph oneself: convergences between Vivian Maier and Ana Cristina Cesar

Conception and collapse of the paternal image in the book When my father met the ET it was a hot day, by Lourenço Mutarelli

Images of who writes: notes about the place of the writer

Didi-Huberman and the writing: to try to see between the image and the concept

Magela Ferrero’s Photographic Poems: writing and image resistance in Personas que tienen hambre (2011)

Between document and fiction: photo-reports in Spain of the 1960s

The South American Misionery Magazin, 1893-1903. The Anglican written and photographic discourse on the construction of the Araucanian Indians

Photography and representation in the novel The map and the territory by Michel Houellebecq

About photography and condensation: the collection “lo mínimo”

Unhiding hidden urban madness: the asylum photographs of Claudio Edinger

Agencies that matter. A set of (im)pertinent photographies

Make a Submission

caps

livros

apoiamos

Vol. 12 No. 3 (2019): Literatura e Fotografia

Editorial

Articles

Make a Submission

caps

social-media

livros

apoiamos