Vol. 12 No. 3 (2019): Literatura e Fotografia

Organizadores:

Prof. Dr. Charles Monteiro (PUCRS-Porto Alegre, Brasil)

Prof. Dr. Gonzalo Leiva Quijada (PUC-Chile)

Doutorando: Ívens Matozo Silva (PUCRS – Porto Alegre, Brasil)

DOI: https://doi.org/10.15448/1984-4301.2019.3
Published: 2019-12-16

Editorial

  • Literature and Photography: on the broadening scope of a new research field in the 21st century

    Charles Monteiro, Gonzalo Leiva Quijada, Ívens Matozo Silva
    e35374
    DOI: https://doi.org/10.15448/1984-4301.2019.3.35374

Articles

  • “Retrato de família”: a poem in black and white

    Ana Claudia Costa dos Santos
    e32866
    DOI: https://doi.org/10.15448/1984-4301.2019.3.32866

  • Profanated portraits: an analyze about death and photograph in Carlos Drummond de Andrade’s poetry

    Mariane Pereira Rocha, Aulus Mandagará Martins
    e32893
    DOI: https://doi.org/10.15448/1984-4301.2019.3.32893

  • The image of the word and the word of the image: the photographic tale of Tércia Montenegro

    Lúcio Flávio Gondim da Silva
    e32923
    DOI: https://doi.org/10.15448/1984-4301.2019.3.32923

  • Poetry and photography: a path to literary literacy

    Patrícia Dauhali Clemente Guimarães
    e33336
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33336

  • Illustration and photoliterary complementarity: the case of Nadja, by André Breton

    Juliana Estanislau de Ataíde Mantovani
    e33338
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33338

  • The aesthetic experience of the gaze: seeing and hearing in the conformation of the word woven in the work Quipu Mapocho by Cecilia Vicuña

    Dagmar Jana Bachraty
    e33344
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33344

  • Photographic dictator replacement: possible representations and readings of p14311

    Airton Pott
    e33347
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33347

  • Photography as fiction-image in Alice in Wonderland, by Suzy Lee

    Luis Carlos Girão
    e33357
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33357

  • The use of photography in Nove noites, by Bernardo Carvalho, and Vou lá visitar pastores, by Ruy Duarte de Carvalho

    Daniel Moutinho Souza
    e33362
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33362

  • Photography and abstract art: crossings among record, fiction and testimony in Gerhard Richter

    Lóren Cristine Ferreira Cuadros
    e33375
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33375

  • Interart poetics: on the literary creation thresholds

    Fernanda Borges
    e33377
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33377

  • To write oneself, to photograph oneself: convergences between Vivian Maier and Ana Cristina Cesar

    Julia Pasinato Izumino
    e33380
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33380

  • Conception and collapse of the paternal image in the book When my father met the ET it was a hot day, by Lourenço Mutarelli

    Caroline Aparecida dos Santos Fernandes
    e33499
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33499

  • Images of who writes: notes about the place of the writer

    André Magri Ribeiro de Melo
    e33500
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33500

  • Didi-Huberman and the writing: to try to see between the image and the concept

    Tatiane França Rangel
    e33501
    DOI: https://doi.org/10.15448/1984-4301.2019.3.33501

  • Magela Ferrero’s Photographic Poems: writing and image resistance in Personas que tienen hambre (2011)

    Maria Fernanda Piderit
    e34949
    DOI: https://doi.org/10.15448/1984-4301.2019.3.34949

  • Between document and fiction: photo-reports in Spain of the 1960s

    Elisa Maria Amorim Vieira
    e34950
    DOI: https://doi.org/10.15448/1984-4301.2019.3.34950

  • The South American Misionery Magazin, 1893-1903. The Anglican written and photographic discourse on the construction of the Araucanian Indians

    Jaime Edgardo Flores Chavez, Daniel Carter
    e34961
    DOI: https://doi.org/10.15448/1984-4301.2019.3.34961

  • Photography and representation in the novel The map and the territory by Michel Houellebecq

    Maria Cristina Baranlloni Lagos
    e34991
    DOI: https://doi.org/10.15448/1984-4301.2019.3.34991

  • About photography and condensation: the collection “lo mínimo”

    Fernando Cury de Tacca
    e34999
    DOI: https://doi.org/10.15448/1984-4301.2019.3.34999

  • Unhiding hidden urban madness: the asylum photographs of Claudio Edinger

    David William Foster
    e35337
    DOI: https://doi.org/10.15448/1984-4301.2019.3.35337

  • Agencies that matter. A set of (im)pertinent photographies

    Hurí Elizabeth Tornay
    e35281
    DOI: https://doi.org/10.15448/1984-4301.2019.3.35281