Narratives of consciousness: the subjectivity representation in literary and theatrical languages and its transposition into the cinema

Authors

  • Carlos Gerbase Pontifícia Universidade Católica do Rio Grande do Sul

DOI:

https://doi.org/10.15448/1980-3729.2005.26.3307

Keywords:

Subjectivity, literature, cinema

Abstract

This text reflects upon the representation of conscience by the cinema, studyng yhe story of “Hamlet” according to several different authors. The point of departure is David Lodge’s essay The conscienses and the novel.

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Author Biography

Carlos Gerbase, Pontifícia Universidade Católica do Rio Grande do Sul

Professor titular do Programa de Pós-graduação em Comunicação pela Pontifícia Universidade Católica do Rio Grande do Sul.

References

BAKHTIN, Mikhail. Estética da criação verbal. São Paulo: Martins Fontes, 2000.

BLOOM, Harold. Hamlet – poema ilimitado. Rio de Janeiro: Objetiva, 2004.

CULLER, Jonathan. Teoria Literária; uma introdução. São Paulo: Becca, 1999.

GASSNER, John Gassner. Mestres do teatro I. São Paulo: Perspectiva, 1997.

LODGE, David. La conciencia y la novela; crítica literaria y creación literaria. Barcelona: Ediciones Península, 2004.

LODGE, David. The art of fiction. Londres: Penguin Books, 1992.

LUKÁCS, Georg. A teoria do romance. São Paulo: Duas Cidades; Ed. 34, 2000.

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Published

2008-04-13

How to Cite

Gerbase, C. (2008). Narratives of consciousness: the subjectivity representation in literary and theatrical languages and its transposition into the cinema. Revista FAMECOS, 12(26), 92–101. https://doi.org/10.15448/1980-3729.2005.26.3307

Issue

Vol. 12 No. 26 (2005)

Section

Space and Subjectivity