From cinéthique to Maffesoli: proposals for the overcoming of modernist nostalgia by the scholar and the politician in cinema theory
DOI:
https://doi.org/10.15448/1980-3729.2000.12.3070Keywords:
Communication, Film theory, MaffesoliAbstract
This paper examines whether a modernist political theory of the cinema (as developed by the magazines Cinéthique, Cahiers du Cinéma and Screen during the period 1968-70, combining semiotics, marxism and psychoanalysis) is still capable of sustaining relevant positions for debate.Downloads
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