Can you talk about genres on television?
DOI:
https://doi.org/10.15448/1980-3729.1999.10.3037Keywords:
Communication, genre, TVAbstract
In the last decades, the idea of gender has undergone an overwhelming questioning, initially part of the structuralist critic and later of the postmodern thought, for which this type of discussion has become something anachronistic, if not irrelevant. Maurice Blanchot (1959), for example, argued in his own time that the only really important things are works in their individuality, regardless of how we can classify them ("everything happens as if the genres had disappeared and only literature was Affirmed ... ").Downloads
References
BAKHTIN, Mikhail. Speech Genres & Other Late Essays. Austin: University of Texas, 1986.
BAKHTIN, Mikhail. Problemas da Poética de Dostoiévski. Rio de Janeiro: Forense, 1981.
BALOGH, Anna Maria. Televisão: serialidade, paraserialidade e repetição. Face, v. 3, n. 1, jan/jun. 1990.
BALOGH, Anna Maria. Conjunções, Disjunções, Transmutações: da Literatura do Cinema e à TV. São Paulo: Annablume, 1996.
BARTHES, Roland. O Rumor da Língua. São Paulo: Brasiliense, 1988.
BLANCHOT, Maurice. Le Livre à venir. Paris: Gallimard, 1959.
CALABRESE, Omar. La Era Neobarroca. Madrid: Cátedra, 1987.
DAWKINS, Richard. O Gene Egoísta. Belo Horizonte: Itatiaia, 1979.
DERRIDA, Jacques. The Law of Genre. In: Critical Inquiry, v. 7, n. 8.1, Autum, 1980.
DUBOIS, Philippe. Video Thinks What Cinema Creates. In: Jean-Luc Godard: Son + Image, R. Bellour, M. L. Bandy, ed. New York: MOMA, 1992.
ECO, Umberto. Apocalípticos e Integrados. São Paulo: Perspectiva, 1970.
GODARD, Jean-Luc. Jean-Luc Godard par Jean-Luc Godard. Alain Bergala (Ed). Paris: Étoile/Cahiers du Cinéma, 1985.
KIVY, Peter. The Fine Art of Repetition. Cambridge: Cambridge University Press, 1993.
LOTMAR, Iuri. A Estrutura do Texto Artístico. Lisboa: Estampa, 1978.
MACCABE, Colin. Godard: Images, Sounds, Politics. Bloomington: Indiana University Press, 1980.
ONG, Walter. Oralidad y Escritura: Tecnologías de la Palavra. México: Fondo de Cultura Económica, 1987.
PALLOTTINI, Renata. Dramaturgia de Televisão. São Paulo: Moderna, 1998.
PERLOFF, Marjorie. Introduction. In: Postmodern Genres. M. Perloff (Ed.). Norman: University of Oklahoma Press, 1995.
VILCHES, Lorenzo. Play It Again, Sam. In Analisi, n. 9, 1984.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
The submission of originals to Revista Famecos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Revista Famecos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.
