The art of the observer

Authors

  • André Parente Federal University of Rio de Janeiro

DOI:

https://doi.org/10.15448/1980-3729.1999.11.3058

Keywords:

Communication, Visorama, Virtual reality

Abstract

This article discusses the historical production of virtual panoramas as well as the latest computer techniques used by the Visorama system under development by the author and his research team, pointing to the relationship of such images to those presented by the cinema, by thematic parks and by systems of virtual reality.

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Author Biography

André Parente, Federal University of Rio de Janeiro

PhD of Cinema, University of Paris VIII. Director of the School of Communication of the Federal University of Rio de Janeiro

References

ELLOUR, Raymond. L’entre-images. Paris: La Différence, 1990.

CRARY, Jonathan. The art of the observer. Massachussets: The MIT Press, 1990.

COMMENT, Bernard. Le XIXème siècle des panoramas. Paris: Adam Biro, 1993.

DAMISH, Hubert. La théorie du nuage. Paris: Seuil, 1985.

FOUCAULT, Michel. Surveiller et punir. Paris: Gallimard, 1975.

FRIED, Michael. La place du spectateur. Paris: Gallimard, 1990.

PARENTE, André. O virtual e o hipertextual. Rio de Janeiro: Pazulin, 1999.

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Published

2008-04-10

How to Cite

Parente, A. (2008). The art of the observer. Revista FAMECOS, 6(11), 124–129. https://doi.org/10.15448/1980-3729.1999.11.3058

Issue

Vol. 6 No. 11 (1999)

Section

New Technologies