Informational memory of culture in the context of Lotman’s critical metalanguage
DOI:
https://doi.org/10.15448/1980-3729.2016.2.22084Keywords:
Critical Metalanguage, Tipology of culture, Documentary filmAbstract
Analytical and comparative study in which Lotman’s critical mentalinguistic approach is focused from the typological perspective of culture and the topological spatial models. Memory is taken as intelligent device equipped with the capacity of self-regulation thanks to the work of the codes in their complex hierarchies and synchronic operations, in favor of the relativity of the distinctive scales of the past and the time it takes to oblivion. It takes as the object of experimental analysis the documentary Patricio Guzmán’s film Nostalgia for the Light.Downloads
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