Estética do improviso no cinema de periferia

Gustavo Souza

doi:10.15448/1980-3729.2012.2.11005

Authors

Gustavo Souza USP

DOI:

https://doi.org/10.15448/1980-3729.2012.2.11005

Keywords:

Cinema of the periphery, aesthetic, improvisation

Abstract

The analysis of the documentary Super gato contra o apagão (Kinoforum, 2002) and Como se rouba a cena no cinema (Kinoforum, 2006) reveal a significant presence of improvisation – the making, the production conditions of existence – that is what we’ll call the aesthetics of improvisation, an important aesthetic feature film production in the periphery. This discussion is anchored in Mikhail Bakhtin´s concept of aesthetics. When considering the aesthetic activity as part of a whole socio-historical circumscribed, the author points to two aspects: the rejection of the idea of “art for art’s sake” and the refusal of artistic production as a mere reflection of the filmmaker´s psychic and subjective activity. This postulate is beneficial, therefore, to understand the aesthetic organization in films made in outlying communities.

Downloads

Download data is not yet available.

Author Biography

Gustavo Souza, USP

Doutorando em Ciências da Comunicação pela ECA/USP. Mestre em Comunicação e Cultura pela ECO/UFRJ. Graduado em Comunicação Social/Jornalismo pela UFPE. Organizador do IX Estudos de Cinema Socine (Annablume, 2008) em parceria com Esther Hamburger e Tunico Amancio.

References

ARDENNE, Paul. Un art contextuel. Création artistique en milieu urbain, en situation, d’intervention, de participation. Paris: Flammarion, 2002.

AUMONT, Jacques; MARIE, Michel. L’analyse des films. Paris: Nathan, 1989.

AUMONT, Jacques. De l’esthétique au présent. Paris; Bruxelas: De Boeck, 1998.

BAKHTIN, Mikhail; VOLOSHINOV, V. N. Freudianism: a marxist critique. Nova York: Academic Press, 1976.

GERVAISEAU, Henri. O abrigo tempo. Abordagens cinematográficas da passagem do tempo e do movimento

da vida dos homens. 2000. Tese (Doutorado em Comunicação Social) – Escola de Comunicação, UFRJ, Rio de Janeiro, 2000.

HERSCHMANN, Micael. O funk e o hip-hop invadem a cena. Rio de Janeiro: Editora UFRJ, 2000.

HUTCHEON, Linda. Teoria e política da ironia. Belo Horizonte: Editora UFMG, 2000.

SCHAEFFER, Jean-Marie. L’art de l’âge moderne: l’esthétique et la philosophie de l’art du XVIIIe siècle à nos jours. Paris: Gallimard, 1992.

SOBRAL, Adail. Ético e estético: na vida, na arte e na pesquisa em Ciências Socais. In: BRAIT, Beth (Org.). Bakhtin: conceitos-chave. São Paulo: Contexto, 2005.

WINSTON, Brian. The tradition of the victim in griersonian documentary. In: GROSS, Larry; KATZ, John Stuart; RUBY, Jay (Orgs.). Image ethics: the moral rights of subjects in photographs, film, and television. Oxford: Oxford University Press, 1988.