Narratives of consciousness: the subjectivity representation in literary and theatrical languages and its transposition into the cinema
DOI:
https://doi.org/10.15448/1980-3729.2005.26.3307Keywords:
Subjectivity, literature, cinemaAbstract
This text reflects upon the representation of conscience by the cinema, studyng yhe story of “Hamlet” according to several different authors. The point of departure is David Lodge’s essay The conscienses and the novel.Downloads
References
BAKHTIN, Mikhail. Estética da criação verbal. São Paulo: Martins Fontes, 2000.
BLOOM, Harold. Hamlet – poema ilimitado. Rio de Janeiro: Objetiva, 2004.
CULLER, Jonathan. Teoria Literária; uma introdução. São Paulo: Becca, 1999.
GASSNER, John Gassner. Mestres do teatro I. São Paulo: Perspectiva, 1997.
LODGE, David. La conciencia y la novela; crítica literaria y creación literaria. Barcelona: Ediciones Península, 2004.
LODGE, David. The art of fiction. Londres: Penguin Books, 1992.
LUKÁCS, Georg. A teoria do romance. São Paulo: Duas Cidades; Ed. 34, 2000.
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