Visual narrative: the interplay between mode and generic structures
DOI:
https://doi.org/10.15448/1980-3729.2010.1.6882Keywords:
Generic structure, mode, semiotic resourcesAbstract
This article aims at exploring the genre, visual narrative, from the register variable –mode – to show how the generic structures of the genre are determined by the use and constituency of semiotic resources chosen by the text producer, in order to accomplish his text.Downloads
References
BHATIA, Vijay Kumar. Worlds of Written Discourse. London: Continuum, 2004.
BORDWELL, David. e THOMPSON, Kristin. Film Art: An Introduction. New York: McGrow Hill, 2001.
HALLIDAY, Matthiessen. An Introduction to Functional Grammar. London: Arnold.
MARTIN, James. Language, Register and Genre. In: CHRISTIE, F. Children Writing: Reader. Geelong: Deakin University Press, 1984.
______. English Text – Systems and Structure. Amsterdam: John Benjamins Publishing Company, 1992.
MILLER, Carolyn R. Genre as social action. In: Quarterly Journal of Speech, 1970.
O’HALLORAN, Kay L. Multimodal Discourse Analysis. London: Continuum, 2004.
_____. Visual semiosis in film. In: O’HALLORAN, Kay L. Multimodal Discourse Analysis. London: Continuum, 2004.
SWALES, John. M. Genre Analysis: English in Academic and Research Settings. Cambridge: Cambridge University Press, 1993.
VAN LEEUWEN, Theo. Introducing Social Semiotics. London: Routledge, 2005.




