Between artists and streaming platforms
perceptions of content aggregators in digital music distribution
DOI:
https://doi.org/10.15448/1980-3729.2026.1.48790Keywords:
Platformization, music industry, streaming, content aggregatorsAbstract
The article examines how independent artists perceive content aggregators in the context of digital music distribution, considering the platformisation of cultural production. Drawing on in-depth interviews with musicians from Rio Grande do Sul, the study describes aggregators as intermediaries linking artists to services such as Spotify, Apple Music, and Deezer, and engages with the existing literature. The findings highlight the centrality of data and editorial/algorithmic playlists, as well as the role of aggregators, which are perceived as necessary but insufficient to ensure symbolic recognition and artists’ sustainability. The study concludes that aggregators operate as hybrid mediators (both technical and cultural) within an ecosystem dominated by metrics and data, which demands expanded competencies from artists and reconfigures the conditions of circulation and the value of music.
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