O estranho universo fílmico de H. P. Lovecraft

Yuri Garcia

doi:10.15448/1980-3729.2022.1.42364

Authors

Yuri Garcia Universidade do Estado do Rio de Janeiro (UERJ), Rio de Janeiro, RJ, Brasil. https://orcid.org/0000-0003-1077-5929

DOI:

https://doi.org/10.15448/1980-3729.2022.1.42364

Keywords:

Lovecraft, Cinema, Literature, Horror

Abstract

This paper tries to make a brief survey of some incursions of the fictional universe of H. P. Lovecraft in cinema. Creator of a teratological pantheon, varied profane objects and a pessimistic philosophical perspective pointing to the insignificance of the human before a terrifying cosmos, the writer ends up becoming a broad material for film appropriations. While a massive use of lovecraftian elements is gaining larger contours in films with good reviews and box office, the transpositions of the author’s narratives seem to inhabit a more specific niche of films, especially in a scope considered more trash of the audiovisual. Through the study of some authors and some more well-known and emblematic examples, we will demonstrate this strange paradox and we will try to test some possible hypotheses.

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Author Biography

Yuri Garcia, Universidade do Estado do Rio de Janeiro (UERJ), Rio de Janeiro, RJ, Brasil.

Doutor em Comunicação Social na linha de Tecnologias da Comunicação e Cultura do Programa de Pós-Graduação em Comunicação da Universidade do Estado do Rio de Janeiro (UERJ), no Rio de Janeiro, RJ, Brasil. Professor do Programa de Pós-Graduação em Comunicação da Universidade do Estado do Rio de Janeiro (UERJ), no Rio de Janeiro, RJ, Brasil. Pesquisador de pós-doutorado na Universidade Anhembi Morumbi, em São Paulo, SP, Brasil.

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