Pulp Fiction and Nonlinearity Narrative

Authors

  • Roberto Tietzmann Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.15448/1980-3729.1997.7.2992

Keywords:

Communication, cinema, Pulp Fiction

Abstract

Winning the 1994 Palme d'Or at Cannes and the Oscar for Best Original Screenplay, "Pulp Fiction" was elevated to the category of instant cult movie. The characters, even being gangsters, drug dealers and professional killers, have won the sympathy of the pubic. Watching Pulp Fiction leaves a strange sensation in the viewer. We seem to be navigating a hypertext, watching different stories, all intertwined in ways not always obvious.

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Author Biography

Roberto Tietzmann, Universidade Federal do Rio Grande do Sul

Graduando em Publicidade e Propaganda na Universidade Federal do Rio Grande do Sul

References

CAMPBELL, Joseph. O Poder do Mito. São Paulo: Associação Palas Athena, 1993.

EBERT, Roger. CINEMANIA 97 CD-ROM. Microsoft Corporation. Redmond, 1996.

FIELD, Syd. Manual do Roteiro. Rio de Janeiro: Ed. Objetiva, 1995.

TARANTINO, Quentin. Pulp Fiction Screenplay. New York: Miramax Hyperion Books, 1994.

VARCHOL, Douglas.Multimedia Scriptwriting Workshop. San Francisco: Sybex, 1996.

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Published

2008-04-09

How to Cite

Tietzmann, R. (2008). Pulp Fiction and Nonlinearity Narrative. Revista FAMECOS, 4(7), 124–133. https://doi.org/10.15448/1980-3729.1997.7.2992

Issue

Vol. 4 No. 7 (1997)

Section

Articles

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