Tarantino, Deleuze, Baudrillard, tomatoes
DOI:
https://doi.org/10.15448/1980-3729.1996.5.2952Keywords:
Communication, cinema, Quentin TarantinoAbstract
The polysemy joke told by Mia to Vincent in Pulp Fiction tells the saga of a small baby tomato: to be urged by the paternal order to accompany the step, it is hit and becomes juice. The tomato that turned juice. The diégesis, however, is not contained within the limit of its filmic framing and, as metaphor, reaches the spectator. Keeping the step with the succession of the Tarantino frames is to turn juice into each sequence.
Downloads
References
BAUDRILLARD, Jean. Simulacros e simulação. Lisboa: Relógio d’Água, 1991.
BERNARDET, Jean-Claude. A crueldade irônica: a nova fórmula de violência no cinema dos anos 90. In: Imagens, Campinas: Unicamp, 1994.
COOK, David A. A history of narrative film. Nova Iorque: Norton, 2. ed., 1990.
DAWSON, Jeff. Quentin Tarantino: the cinema of cool. Nova Iorque: Applause, 1995.
DELEUZE, Gilles e GUATTARI, Félix. Mil mesetas: capitalismo y esquizofrenia. Valência: Pre-textos, 1988.
DELGADO, Francisco; PAYAN, Miguel Juan; UCEDA, Jacinto. Quentin Tarantino. Madrid: Ediciones JC, 1995.
JAMESON, Fredric. Espaço e imagem: teorias do pós-moderno e outros ensaios. Rio de Janeiro: UFRJ, 1994.
SHAVIRO, Steven. The cinematic body. Minneapolis: University of Minnesota Press, 1993.
TARANTINO, Quentin. Pulp Fiction. Nova Iorque: Miramax Books, 1994.
