Masters of someone else’s domain: narrative and style in Seinfeld

Authors

  • Christian Hugo Pelegrini Instituto de Artes e Design - Universidade Federal de Juiz de Fora

DOI:

https://doi.org/10.15448/1980-3729.2017.2.25049

Keywords:

Seinfeld, Narrative, Style

Abstract

The paper analyzes the TV show Seinfeld and its breaking with the genre conventions historically constructed on american television. To this end, our analysis points out two dimensions of program aesthetics: the narrative and the stylistic ones. From the narrative aesthetics point of view, we indicated a break with the goal oriented dramatic model (or the “Aristotelian model”, hegemonic in the television of such period). From a stylistic point of view, we consider how the increasing adoption of unusual production practices led to the formation of a hybrid between the multi-camera sitcom and the single camera programs.

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Author Biography

Christian Hugo Pelegrini, Instituto de Artes e Design - Universidade Federal de Juiz de Fora

Doutor em Meios e Processos Audiovisuais pela Escola de Comunicação e Artes da Universidade de São Paulo (ECA-USP), professor Adjunto do curso de Cinema e Audiovisual do Instituto de Artes e Design da Universidade Federal de Juiz de Fora (IAD-UFJF).

References

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Published

2017-03-24

How to Cite

Pelegrini, C. H. (2017). Masters of someone else’s domain: narrative and style in Seinfeld. Revista FAMECOS, 24(2), ID25049. https://doi.org/10.15448/1980-3729.2017.2.25049

Issue

Section

Television