The radio in fiction Latin America: imaginary of twentieth-century
DOI:
https://doi.org/10.15448/1980-3729.2013.3.15554Keywords:
Radio, Fiction, Imaginary, Latin America.Abstract
The history of twentieth-century Latin America refers to the role of radio in those societies. What imaginary circulated about the vehicle and were apprehended by fiction? To answer this question is the purpose of this paper through the analysis of four novels and a short story in Latin America, where it is a reflection on the imaginary and also about the role of radio. We conclude that the imaginary circulating in the different contexts of the period was captured and recorded by writers of fiction who, by producing their stories, drew a picture of the reality of the different countries of Latin America. And the radio disseminating their messages reflecting local realities showed that certain applicants were imaginary: affective relationships, loneliness, professional activity in the radio and, in particular, the situation of women in the labor market.
Downloads
References
CATÁ, Alfonso Hernandez. Sintonia. Revista Para Todos, Santiago, p. 16-17, 53-55, 3 dez. 1934.
GIARDINELLI, Mempo. Luna Caliente. Três noites de paixão. Porto Alegre: Mercado Aberto, 1997.
LISPECTOR, Clarice. A Hora da Estrela. 23. ed. Rio de Janeiro, Editora Rocco: 1998.
MARTIN BARBERO, Jesus. Ofício de Cartógrafo. Travessias latino-americanas da comunicação na cultura. São Paulo: Loyola, 2002.
______. Procesos de comunicación y matrices de cultura. Itinerarios para salir de la razón dualista. Mexico, Felafacs/Gustavo Gili, s.d.
MORIN, Edgar. Cultura de massas no século XX. O espírito do tempo – 1. Neurose. 6. ed. Rio de Janeiro: Forense Universitária, 1984.
ORTIZ, Renato. Um outro território. Ensaios sobre a mundialização. São Paulo: Editora Olho d´Agua, 1996.
REY, Marcos. Café na Cama. São Paulo: Companhia das Letras, 1960.
SILVA, Juremir Machado da. As tecnologias do imaginário. Porto Alegre: Sulina, 2003.
VARGAS LLOSA, Mario. Tia Júlia e o Escrevinhador. Rio de Janeiro: Nova Fronteira, 1977.
WOLTON, Dominique. Internet y después? Una teoria crítica de los nuevos medios de comunicación. Barcelona: Gedisa Editorial, 2000.
______. Elogio do grande público. Uma teoria crítica da televisão. Porto: Edições ASA, 1994.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
The submission of originals to Revista Famecos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Revista Famecos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.