Women in Godard: counterpoints to the feminist film theory in Une Femme est une Femme (1961)

The article “Women in Godard: counterpoints to the feminist film theory in Une Femme est une Femme” (1961), of researcher Rodrigo Cássio Oliveira (UEG), proposes to review the Laura Mulvey’s discussions about the male look of narrative movie, based in an interpretation of cinematographic language and Freud’s psychoanalysis. The contribution of this review to the communication/movie knowledge area is to confront the methodological perspectives that are in a text: the filmic analysis and its possibilities of systematize the knowledge about the narrative movie process (supported and practiced in the article), and the theoretical claim more universalistic, that theorizes the same process without attach to the specific cases. The paradigm of film feminist studies is in continuous review and this unprecedented work contributes to this, because brings questions to the methods historically used by the academic research of area. Check out the full article in the link below. https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/22912/14604