Negação da figura paterna e a fuga de Jéssica no Mercador de Veneza: consciência, vergonha e interioridade

Autores

  • Carlos Roberto Ludwig Universidade Federal do Tocantins

DOI:

https://doi.org/10.15448/1984-7726.2016.4.23049

Palavras-chave:

Consciência, Interioridade Negação da Figura Paterna, Mercador de Veneza

Resumo

Este artigo discute a relação ambígua e dissimulada de Jéssica para com a figura paterna Shylock, no Mercador de Veneza. A fuga de Jéssica e a negação da figura paterna são perpassadas por espasmos de consciência e vergonha, sugerindo que ambas são traços sobredeterminantes da interioridade de Jéssica. A linguagem dos diálogos de Jéssica e Lorenzo sugere que seu amor é provavelmente insincero, pois Jéssica faz insistentemente perguntas duvidando de seu amor, que pode ser movido pela oportunidade de fugir de casa e tomar a fortuna de Shylock. Igualmente, o amor de Lorenzo por Jéssica é enfatizado por conotações carnais e eróticas durante a peça.

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Denial of the paternal figure and Jessica’s elopement in
The Merchant of Venice: conscience, shame and inwardness

Abstract: This essay discusses Jessica’s ambiguous and deceitful relationship towards her paternal figure Shylock, in The Merchant of Venice. Jessica’s elopement and negation of the paternal figure are pervaded by qualms of conscience and shame, suggesting that both are the over-determining traits of Jessica’s inwardness. The language in Jessica and Lorenzo’s dialogue suggests that their love is probably insincere, once Jessica constantly asks questions doubting their love, which can be motivated by the opportunity to elope and take Shylock’s fortune. Similarly, Lorenzo’s love for Jessica is enhanced by carnal and erotic connotations during the play.

Keywords: Conscience; Inwardness; Denial of the Paternal Figure; The Merchant of Venice

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Biografia do Autor

Carlos Roberto Ludwig, Universidade Federal do Tocantins

Doutor em Letras pela UFRGS, Professor do PPG-Letras da UFT/Câmpus de Porto Nacional.

Referências

COLLINS, Stephen L. From divine cosmos to sovereign state. Oxford: Oxford University Press, 1989.

DRAKAKIS, John. Historical difference and Venetian Patriarchy. In: COYLE, Martin. The Merchant of Venice: contemporary critical essays. London: Macmillan, 1998. (New

Casebooks). p. 181-208.

DRAKAKIS, John. Introduction and Notes. In: SHAKESPEARE, W. The Merchant of Venice. London: Arden Shakespeare, 2010.

FERNIE, Ewan. Shame in Shakespeare. London: Routledge, 2002. (Series Accents on Shakespeare).

GRAHAM, John. The Merchant of Venice. In: WILDERS, John (Org.). Shakespeare: the Merchant of Venice. London: Macmillan, 1969. (Casebook Series).

KAPLAN, M. Lindsay; BEVINGTON, David (Orgs.). The Merchant of Venice: texts and contexts. New York: Palgrave, 2002.

LENKER, L. T. Fathers and Daughters in Shakespeare and Shaw. Westport: Greenwood Press, 2001.

MAUS, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago/London: University of Chicago Press, 1995.

MCGINN, Colin. Shakespeare’s Philosophy: Discovering the meaning behind the plays. New York: Harper, 2007.

METZER, Mary Janell. Now by My Hood, a Gentle and No Jew: Jessica, The Merchant of Venice, and the Discourse of Early Modern English Identity. PMLA, v. 113, n. 1, p. 52-63 (Special Topic: Ethnicity), 1998. Acesso em: 20 jan. 2011.

SHAKESPEARE, William. A Mid-Summer Night’s Dream. New York: Dover, 1992a.

______. O Mercador de Veneza. Tradução de Carlos Alberto Nunes. Rio de Janeiro: Ediouro, 2005.

______. Romeo and Juliet. New York: Dover, 1993.

______. The Merchant of Venice. Editado por Barbara Mowt e Paul Werstine’s. New York: Washing Square Press, 1992b.

______. The Merchant of Venice. Editado por John Drakakis. London: Arden Shakespeare, 2010.

______. The Merchant of Venice. In: KAPLAN, M. Lindsay; BEVINGTON, David (Orgs.). The Merchant of Venice: texts and contexts. New York: Palgrave, 2002.

______. The Merchant of Venice. London: Walter Heinemann, 1960.

SHERMAN, Anita Gilman. Disowning knowledge of Jessica, or Shylock’s scepticism. Studies in English Literature, 1500- 1900, v. 44, n. 2, p. 277-295, 2004. Disponível em: . Acesso em: 20 fev. 2011.

STEIN, Jess. The Random House College Dictionary. New York: Random House, 1975.

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Publicado

2016-12-31

Como Citar

Ludwig, C. R. (2016). Negação da figura paterna e a fuga de Jéssica no Mercador de Veneza: consciência, vergonha e interioridade. Letras De Hoje, 51(4), 583–591. https://doi.org/10.15448/1984-7726.2016.4.23049

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