In the time mazes: the institution of the nostalgic subject under an enunciative view
DOI:
https://doi.org/10.15448/1984-4301.2018.4.31259Keywords:
Nostalgia. Enunciation. Underlying senses. Poem.Abstract
This article focus on the complex process of textual resignification, constituting an enunciative study of text of the discursive genre poem. Its objective, from the observation of enunciative-discursive marks inscribed in textual materiality, is to analyze the constitution of the nostalgic subject that appears from the sonnet Nostalgia, of the Portuguese poet Florbela Espanca, through the intersubjective relationship between the announcer and the interlocutor. The research is characterized as an exploratory-descriptive bibliography, of an applied nature, with a qualitative approach, mainly based on the studies of Jankélévitch (1974) and Starobinski (2016), about the conception of nostalgia, as well as in conferred assumptions by Benveniste (1976a, 1976b; 2006a, 2006b, 2006c), in relation to the concepts of language, enunciation and subjectivity. The analysis shows that the linguistic-enunciative resources manipulated in the discursive materialization not only corroborate for the construction of the subjectivity of the enunciator, but they also interfere in the semantic constitution of the text.
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https://pt.scribd.com/document/354166916/JeanStarobinski-A-tinta-da-melancolia-Uma-histA-ria-cultural-da-tristeza-Companhia-dasLetras-2016#Search_search-menu_165761. Acesso em: jan. 2018.
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