Take care of yourself: mediation and aesthetics of the game in Sophie Calle

Authors

  • Fernando do Nascimento Gonçalves Universidade do Estado do Rio de Janeiro

DOI:

https://doi.org/10.15448/1980-3729.2010.3.8188

Keywords:

Mediation, art, relational aesthetics

Abstract

This text focuses on the exhibition Prenez soin de vous by the French artist Sophie Calle, which is based on the story of a broken love affair via e-mail and on the reaction of 107 women who were invited by the artist to answer in her place. Calle was known for exposing her “personal experiences” to produce a artwork that discusses intimacy and identity through photography, film, installation and performance. By depicting the exposition, one realize that the theme is not either the history of disruption nor the replies to e-mail, but the circuit by circulating affections, discourses and social practices that is mobilized by the artist in order to create her work. The text intends to examine the relational processes which construct the artist’s games with narrative forms. Based on the concepts of mediation and translation developed by Bruno Latour, I will discuss this communicative aspect of the work: the ways it mobilizes and connects different instances of enunciation in a sign network.

Downloads

Download data is not yet available.

Author Biography

Fernando do Nascimento Gonçalves, Universidade do Estado do Rio de Janeiro

References

ARDENNE, Paul. Pratiques contemporaines: l’art Contemporain comme expérience. Paris: Dis Voir, 2001.

BOURRIAUD, Nicholas. Esthétique relationnelle. Paris: Les Presses du Réel, 1998.

CALLON, Michel. Quatre modèles pour décrire la dynamique de la science. In: AKRICH, Madeleine (Org). Sociologie de la Traduction: textes fondateurs. Paris: Mines Paris, 2006.

DANTO, Arthur. Después del fin del arte. Buenos Aires: Paidós, 2003.

DELEUZE, Gilles; GUATTARI, Felix. O que é Filosofia? Rio de Janeiro: Ed. 34, 1992.

ERNAUX, Annie. Vers un Je transpersonnel, autofictions et Cie. In : Cahiers RITM, n. 6, p. 218–221, Paris, Université Paris X- Nanterre, 1994.

FOUCAULT, Michel. A arqueologia do saber. Rio de Janeiro: Forense Universitária, 2004.

FREIRE, Leticia de Luna. Seguindo Bruno Latour: notas para uma antropologia simétrica. Disponível em: http://www.facha.edu.br/publicacoes/comum/comum26/artigo2.pdf. Acesso em 12 ago. 2009.

GONÇALVES, Fernando. Tecnologia e cultura: usos artísticos da tecnologia como prática de comunicação e laboratório de experimentação social. In: Revista Famecos, Porto Alegre, n. 38, v. 1, p. 100-110, 2009.

______. Comunicação, Arte e Cultura Contemporânea. In: Revista Contemporânea, Rio de Janeiro, n. 8, v. 16, 2007. Disponível em: www.contemporanea.uerj.br/anteriores/index08.html

GUATTARI, Félix. Caosmose. Rio de Janeiro: Ed. 34, 1993.

LADAGGA, Reinaldo. La estética de la emergencia. Buenos Aires: Hidalgo, 2006.

LATOUR, Bruno. Le prince : machines et machinations. In AKRICH. Madeleine (Org). Sociologie de la Traduction: textes fondateurs. Paris: Mines Paris, 2006.

______. Ciência em Ação: como seguir cientistas e engenheiros sociedade a fora. São Paulo: Edusc, 2000.

______. Jamais fomos modernos. Rio de Janeiro: Ed. 34, 1994.

LINS, Consuelo. O documentário expandido de Maurício Dias e Walter Riedweg. Vídeo Brasil, Festival Internacional de Arte Eletrônica. Disponível em: http://www.sescsp.org.br/sesc/videobrasil/site/dossier028/apresenta.asp Acesso em 28 set. 09.

SAUVAGEOT, Anne. Sophie Calle: l’art cameleon. Paris: PUF, 2007.

SERRES, Michel. A comunicação. Lisboa: Rés, 1984.

How to Cite

Gonçalves, F. do N. (2011). Take care of yourself: mediation and aesthetics of the game in Sophie Calle. Revista FAMECOS, 17(3), 207–215. https://doi.org/10.15448/1980-3729.2010.3.8188

Issue

Section

Media Culture