Erecting new bodies, reinventing old personas: Modern actors in Brazilian cinema
DOI:
https://doi.org/10.15448/1980-3729.2014.1.14520Keywords:
Film actors, Cinema Aesthetics and History, Brazilian CinemaAbstract
As in other cinemas around the world, Brazilian cinema came to modernity in the late 1950s, early 1960s, when Cinema Novo shook the traditional structures of production and aesthetics of film. New narrative structures and new aesthetic forms were tried by the filmmakers. The change also affected the way the actors bodies were filmed, to make them interact with each other and with the directors. New forms of acting appeared. The traditional theater centers of the country were not enough to give the film industry its interpreters. The persona of former players is recovered and restructures by new movies. Television influences films, and it’s influenced by them. New parameters for the star system are revealed.
Downloads
References
AUMONT, Jacques. Moderne? Paris: Cahiers du Cinéma, 2007.
BAX, Dominique (Org.). Glauber Rocha, Anthologi du Cinéma Brésilien des années 60 aux années 80, Nelson Rodrigues. Bobigny: Collection Magic Cinéma, 2005.
BAZIN, André. Comment peut-on être hitchcocko-hawksien. Cahiers du Cinéma, n. 44, p. 17-18, fev. 1955.
BERGALA, Alain. Monika. Paris: Yellow Now, 2005.
______. Godard au travail. Paris: Cahiers du Cinéma/Ed. de l’Étoile, 2006.
BERNARDINO, Vanderlei. O ator de teatro de arena no cinema novo. 2013. 94 f. Dissertação (Mestrado em Meios e Processos Audiovisuais) – Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, 2013.
BRENEZ, Nicole. La Nuit Ouverte: Cassavetes, l’invention de l’acteur. In: Conférences du Collège d’Art Cinématographique, n. 3 – Le théâtre dans le cinéma. Paris: Cinémathèque Française, 1992-1993.
BLANCHOT, Maurice. O espaço literário. Trad. de Álvaro Cabral. Rio de Janeiro: Rocco, 1987.
______. L’espace littéraire. Paris: Gallimard, 2007.
DEL PICCHIA, Pedro. MURANO, Virginia. Entrevista a Glauber Rocha. In: Glauber, o Leão de Veneza. São Paulo: Escrita, [s/d.].
HAMBURGER, Esther. O Brasil antenado: a sociedade na novela, Rio de Janeiro: Jorge Zahar, 2005.
KHOURY, Simon (Org.). Atrás da Mascara I. Rio de Janeiro: Civilização Brasileira, 1983.
PARANAGUA, Paulo Antonio. A La Recherche d’un Star-system. In: Le Cinéma Brésilien. Paris: Centre Pompidou, 1987. p. 198-211.
ROCHA, Glauber. Revisão crítica do cinema brasileiro. São Paulo: Cosac & Naify, 2003.
TRUFFAUT, François. Une Certaine Tendance du Cinéma Français. Cahiers du Cinéma, n. 31, p. 15-28, jan. 1954.
XAVIER, Ismail. O discurso cinematográfico. São Paulo: Paz e Terra, 2005.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
The submission of originals to Revista Famecos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Revista Famecos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.
