Symmetries, repetitions and variations – Mozart's C-minor Mass in A man escaped by Robert Bresson

Authors

  • Luíza Beatriz Amorim Melo Alvim Universidade Federal do Estado do Rio de Janeiro

DOI:

https://doi.org/10.15448/1980-3729.2014.1.14279

Keywords:

Robert Bresson, Cinema, Music

Abstract

In the films of the french director Robert Bresson, especially in those from the intermediary phase of his career, preexistent classical music was commonly utilized and the distribution of these musical parts in the film guard analogies with the original piece. In A man escaped (1956), choral and instrumental parts from the Kyrie of Mozart´s C-minor Mass are symmetrically distributed in the film, what recalls the very symmetry of Mozart´s Classicism. The music also symbolizes the way of the main character, a prisoner during the Second World War, who has to pass from solitude to communication with the others in order to escape.

Downloads

Download data is not yet available.

Author Biography

Luíza Beatriz Amorim Melo Alvim, Universidade Federal do Estado do Rio de Janeiro

Doutora em Comunicação pela Universidade Federal do Rio de Janeiro (UFRJ).

References

AJAME, Pierre. Le cinéma selon Bresson. Les Nouvelles Littéraires, 26 mai. 1966.

ASPAHAN, Pedro. Entre a escuta e a visão: o lugar do espectador na obra de Robert Bresson. 2008. Dissertação (Mestrado em Comunicação Social) – Universidade Federal de Minas Gerais, Belo Horizonte, 2008.

BLANCHOT, Maurice. La communauté inavouable. Paris: Minuit, 1983.

BRESSON, Robert. Propos de Robert Bresson. Cahiers du Cinéma, n. 75, p. 3-9, out. 1957.

______. Notas sobre o cinematógrafo. São Paulo: Iluminuras, 2008.

BRIOT, René. Robert Bresson. Paris: Les Éditions du Cerf, 1957.

CUNNEEN, Joseph. Robert Bresson: a spiritual style in film. New York: The Continuum International Publishing, 2003.

DAHAN, Danielle. Robert Bresson: une téléologie du silence. Heidelberg: Universitätsverlag Winter, 2004.

DELEUZE, Gilles. Différence et répétition. Paris: Presses Universitaires de France, 1968.

DEVIGNY, André. Un condamné à mort s´est échappé. Figaro Littéraire: 20 nov. 1954 e 27 nov. 1954.

DEVIGNY, André. Un condamné à mort s´est échappé. Paris: Gallimard, 1956.

DOUCHE, Sylvie. Robert Bresson: de la musique à l´ineffable. Diplôme d´Études Approfondies (DEA) de Musique et Musicologie. Paris IV, 1994.

GORBMAN, Claudia. Auteur music. In: GOLDMARK, Daniel, KRAMER, Lawrence, LEPPERT, Richard (org.). Beyond the soundtrack: representing music in cinema. Los Angeles: University of California Press, 2007.

HOCQUARD, Jean-Victor. Mozart. Paris: Seuil, 1994.

JANKÉLÉVITCH, Vladimir. La Musique et l´Ineffable. Paris: Seuil, 1983.

KENYON, Nicholas. Mozart: vida, temas e obras. Lisboa: Edições 70, 2008.

MAGNY, Joel. L´expérience intérieur de Robert Bresson. Cinéma, n. 294, Dossier Robert Bresson, jun. 1983.

NYS, Carl de. La musique religieuse de Mozart. Paris: Presses Universitaires de France, 1982.

PIVA, Manlio. L´inquadratura sonora: immagine e suono in Robert Bresson. Padova: Esedra, 2004.

SADIE, Stanley. Mozart. Porto Alegre: L&PM, 1988.

SÉMOLUÉ, Jean. Bresson. Paris: Flammarion, 1993.

ZAMARCOIS, Joaquim. Curso de formas musicales. Barcelona: Editorial Labor, 1994.

Referências audiovisuais (em ordem cronológica)

BRESSON, Robert. Um condenado à morte escapou (Un condamné à mort s´est echappé ou Le vent souffle où il veut). Robert Bresson, França, 1956.

BRESSON, Robert. Pickpocket. França, 1959.

BRESSON, Robert. O processo de Joana d´Arc (Le procès de Jeanne d´Arc). França, 1962.

BRESSON, Robert. A grande testemunha (Au hasard Balthazar). França/Suécia, 1966.

BRESSON, Robert. Mouchette, a virgem possuída (Mouchette). França, 1967.

BRESSON, Robert. Uma mulher suave (Une femme douce). França, 1969.

BRESSON, Robert. O diabo provavelmente (Le diable probablement). França, 1977.

BRESSON, Robert. O dinheiro (L´argent). França, 1983.

Published

2014-06-03

How to Cite

Amorim Melo Alvim, L. B. (2014). Symmetries, repetitions and variations – Mozart’s C-minor Mass in A man escaped by Robert Bresson. Revista FAMECOS, 21(1), 329–351. https://doi.org/10.15448/1980-3729.2014.1.14279

Issue

Section

Movie