FUNERARY ART: APPROPRIATION OF THE PIETÁ BY MARBLE WORKERS AND CONTEMPORARY SCULPTORS
DOI:
https://doi.org/10.15448/1980-864X.1997.2.28272Abstract
The conventional cemeteries of the XX century, secularized, it keep on their ground a sacred architecture. Sometimes, the funerary art serves from the erudite art when this one it popularize. The objective of the present communication is to stablish a bridge between the past traditions – Pietá of Michelangelo and the current experiences – “Sepultamento” by Victor Brecheret and other works made by marbles of Italian origin.Downloads
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Published
1997-12-31
How to Cite
Borges, M. E. (1997). FUNERARY ART: APPROPRIATION OF THE PIETÁ BY MARBLE WORKERS AND CONTEMPORARY SCULPTORS. Estudos Ibero-Americanos, 23(2), 15–28. https://doi.org/10.15448/1980-864X.1997.2.28272
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Copyright (c) 2017 Maria Elizia Borges

This work is licensed under a Creative Commons Attribution 4.0 International License.




