Between absurd humor and violent laughter: Tía Vicenta magazine and the most recent Argentinian Dictatorship (1977-1979)
DOI:
https://doi.org/10.15448/1980-864X.2018.2.27690Keywords:
Tía Vicenta, Landrú, Argentinian Dictatorship.Abstract
We analyze the second era of Tía Vicenta, the Argentinian satirical magazine founded and edited by Landrú (Juan Carlos Colombres). The magazine had a groundbreaking first period of publication between 1957 and 1966. The second era of the magazine spanned from November 1977 to July 1979, during the most recent military dictatorship of Argentina, the self-appointed “Process of National Reorganization”. We reconstruct its publishing history alongside the general shape of Argentinian graphic humor in the seventies. Through the analysis of Landrú’s links to the military, his ideology, and the images and texts that appeared in it, we isolate two coexisting points of view within it: a respectful position regarding the dictatorship’s project of order and political oppression, and a heavy critique regarding its economic program. The explanation for this lies both in the personal politics of Landrú as well as in the context in which the magazine appeared. We conclude by stating that the same type of absurd humor and impartial political position that had allowed Tía Vicenta to prosper in the sixties was anachronic and even reactionary in the changed landscape of seventies’ Argentinian graphic humor, which may explain its demise and erasure from most recollections of the period.
Downloads
References
AVELLANEDA, Andrés. Censura, autoritarismo y cultura: Argentina 1960-1983. Buenos Aires: Centro Editor de América Latina, 1986. Vol. 1 y 2.
BURKART, Mara. Humor, la risa como espacio crítico bajo la dictadura militar 1978-1983. Tesis (Doctorado en Ciencias Sociales) – Universidad de Buenos Aires, Buenos Aires, 2011.
BURKART, Mara. De la libertad al infierno. La revista Satiricón, 1972-1976. In: Gen é, M.; Malosetti Costa , L. (Eds.). Atrapados por la imagen. Buenos Aires: Edhasa, 2013. p. 307-338.
COGNINI, Alberto. Entrevista a Alberto Cognigni y Juan Parrotti 1969 [Archivo de video], 1969. Disponible en: <https://www.youtube.com/watch?v=DtnerkgXaCw>. Accedido el: 9 mayo 2017.
HAUSER, Irina. El saqueo de empresas como modus operandi. In: Página/12 (Buenos Aires), 4 jun. 2012. Disponible en: <https://www.pagina12.com.ar/diario/elpais/1-195588-2012-06-04.html>. Accedido el: 10 mayo 2017.
GANDOLFO, Amadeo. La oposición dibujada: política, oficios y gráfica de los caricaturistas políticos argentinos (1955-1976). Tesis (Doctorado en Ciencias Sociales) – Universidad de Buenos Aires. Buenos Aires, 2015.
LEVÍN, Florencia. Humor Político en Tiempos de Represión. Clarín 1973-1983. Buenos Aires: Siglo XXI Editores, 2013.
MONCALVILLO, Mona. La Historia de Humor (Segunda Parte). Reportaje de Mona Moncalvillo a Andrés Cascioli y Tomás Sanz, 1988. Disponible en: <http://www.rafaela.com/cms/news/ver/50514/1/la-historia-de-humor-segunda-parte-reportajede-mona-moncalvillo-a-andres-cascioli-y-tomas-sanz-.html>. Accedido el: 9 mayo 2017.
MORENO, Liliana. El humor en los a-os de la mordaza. In: Clarín (Buenos Aires), 8/4/2001. Disponible en: <http://edant.clarin.com/suplementos/zona/2001/04/08/z-00601.htm>. Accedido el: 9 mayo 2017.
STEIMBERG, Oscar. Sobre algunos temas y problemas para el análisis del humor gráfico. En: Leyendo historietas. Buenos Aires: Eterna Cadencia, 2013. p. 172-192.
STEIMBERG, Oscar. Para una historia de la historieta argentina de humor. In: Leyendo historietas. Buenos Aires: Eterna Cadencia, 2013. p. 251-263.
ULANOVSKY, Carlos. Entrevista a Landrú. En: Entrevistas a periodistas argentinos 10. Buenos Aires: Archivo TEA y DeporTEA, 2005. Disponible en: <http://abcdonline.com.ar/tea/info/m-/m-768.pdf>. Accedido el: 10 mayo 2017.
VAZQUEZ, Laura. El Oficio de las Vi-etas. Buenos Aires: Paidós, 2010.
VINELLI, Anibal. “Tía Vicenta” es una se-ora para la que no pasan los a-os. In: La Opinión (Buenos Aires), 4 nov. 1977.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Amadeo Gandolfo
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright
The submission of originals to Estudos Ibero-Americanos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Estudos Ibero-Americanos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.