The cabin of the memory or the symbolic and poetic story of several marginalizations

Abstract

In El camarote de la memoria, a highly simbolic title, Agustín Díaz Pacheco summarizes four centuries of canarian history just like poets. His work, full of queer characters and polysemic images insists in the black and tragic destiny of the intelectual jostled by claws and mirages of a far and misunderstood territory.