The aesthetic and artistic potential of literature in the decolonization movement

Authors

DOI:

https://doi.org/10.15448/1984-7726.2025.1.47278

Keywords:

Decoloniality, Decolonization of language, Torto arado

Abstract

In view of the power of literary writing through its construction of and with language, this study discusses contemporary literary narrative as a movement of insurgency against the order of domination of the colonial matrix of power, considering the processes of coloniality that run through Latin American peoples in particular. Understanding that power relations have been established throughout humanity through the use of language encourages us to think about the role of language in modifying the discriminatory, exclusionary and colonial structure that is still established today in the most diverse social spaces. Taking into account the concept of language proposed by Barthes (2013), and discussions on processes of coloniality and the construction of Latin American identity, based on Zea (1976) and Arias (2010), we seek to establish a dialogue with the novel Torto arado (Vieira Júnior, 2019), highlighting how literature can be a path to decolonization, due to the artistic and aesthetic nature of the literary text, an opportunity in which language is stripped of totalizing discourses.

Downloads

Download data is not yet available.

Author Biographies

Karina Alves, University of Caxias do Sul (UCS), Caxias do Sul, Rio Grande do Sul, Brazil.

Graduated in Portuguese/English Literature (UNISINOS); Master's degree in Education (UCS); PhD candidate in Education (UCS). Participates in the Reading and Literature Observatory (OLLI) research group at the University of Caxias do Sul (UCS) – Caxias do Sul/RS, and in the research group Collective of Studies in Languages ​​and Arts (CELinA) at the Federal Institute of Education, Science and Technology of Rio Grande do Sul (IFRS) – Feliz/RS. Has support from CAPES and IFRS. Professor at IFRS, Feliz campus (RS).

Flávia Ramos, University of Caxias do Sul (UCS), Caxias do Sul, Rio Grande do Sul, Brazil.

Professor at the University of Caxias do Sul (RS), supervising research in the Postgraduate programs in Education and in Letters. Teaches undergraduate courses in Library Science, Pedagogy and Letters. Coordinates the Specialization Course in Children's and Youth Literature (Distance Learning). Leader of the research group Observatory of Reading and Literature (OLLI).

Adair de Aguiar , University of Vale do Itajaí (Univali), Itajaí, Santa Catarina, Brazil.

Professor at the University of Vale do Itajaí, supervising research in the Postgraduate Program in Education at Univali, at the master's and doctoral levels. Teaches undergraduate distance learning courses with extensive experience in digital disciplines. Holds a degree in Letters (Portuguese/English) from the University of the Joinville Region (SC), a master's degree in Literary Theory, and a doctorate in Literature from the Federal University of Santa Catarina, both stricto sensu courses with CAPES scholarships. Leader of the Research Group Culture, School and Creative Education. Researches the following themes: literature, art in education, reading in digital media, reader development, teacher training, and aesthetic education. Member of the Adjunct Coordination of the SEB/MEC of the PNLD Literary 2021 - object 5. Evaluator of the SEB/MEC of the PNLD didactic 2022 - object 1. Evaluator of the SEB/MEC of the PNLD didactic 2022 - object 2. Evaluator of the SEB/MEC of the PNLD literary 2024 - Elementary School - final years - object 3.

References

ALVES, Márcio Miranda; PELINSER, André Tessaro (2024). Torto arado e a experiência do espaço periférico expandido. Todas as Letras – Revista de Língua e Literatura, São Paulo, v. 26, n. 1, p. 1-15, jan./abr.

ARIAS, Patricio Guerrero (2010). Corozonar: uma antropologia comprometida com a vida. Quito-Equador: Universidad Salesiana.

BARTHES, Roland (2013). Aula: aula inaugural da cadeira de semiologia literária do Colégio de França, pronunciada dia 7 de janeiro de 1977. Tradução: Leyla Perrone-Moisés. São Paulo: Cultrix.

BARTHES, R. S/Z (1999). Tradução Maria de S. Cruz e Ana M. Leite. Lisboa: Edições 70.

BARTHES, Roland (1984). A câmara clara. Nota sobre fotografia. Tradução de Júlio Castañon Guimarães. Rio de Janeiro: Nova Fronteira.

CHAGAS, Silvânia Núbia (2023). Torto arado ou torto encanto: o jarê contando história. Estudos De Literatura Brasileira Contemporânea, nº 66. Disponível em: https://doi.org/10.1590/2316-40186605. Acesso em 20/05/2024.

FAGUNDES, Daiane (2024). Literatura como objeto estético e artístico: uma imersão ao mar profundo e fervilhante das palavras. 96 f. Dissertação (Mestrado em Educação) – Universidade do Vale do Itajaí, Itajaí, 2023, p. 52

NEITZEL, Adair de Aguiar; RAMOS, Flávia Brocchetto (2022). A leitura do literário como experiência artística e estética. Estéticas dissidentes e educação, São Paulo: Pimenta Cultural. Disponível em: https://www.pimentacultural.com/livro/esteticas-dissidentes. Acesso em: 18/10/2023.

PIVETTA DE OLIVEIRA, Rejane, & LUIZA CAIMI, Cláudia (2023). Imaginário afro-ameríndio e utopia política em Torto arado. Estudos De Literatura Brasileira Contemporânea, nº 67. Disponível em: https://periodicos.unb.br/index.php/estudos/article/view/47361. Acesso em 20/05/2024.

RAMOS, Flávia Brocchetto (2015). Por que literatura? In. RAMOS, Flávia Brocchetto; PANOZZO, Neiva. Mergulhos de leitura: a compreensão leitora da literatura infantil. Caxias do Sul: EDUCS. Disponível em https://www.ucs.br/site/midia/arquivos/mergulhos_ebook.pdf Acesso em: 21/10/2023

VIEIRA JÚNIOR, Itamar (2019). Torto arado. São Paulo: Todavia.

ZEA, Leopoldo (1976). El pensamento latino-americano. Barcelona: Ariel.

Published

2025-11-07

How to Cite

Alves, K., Ramos, F., & de Aguiar , A. (2025). The aesthetic and artistic potential of literature in the decolonization movement. Letras De Hoje, 60(1), e47278. https://doi.org/10.15448/1984-7726.2025.1.47278