The physiology of art in late Nietzsche:

Authors

DOI:

https://doi.org/10.15448/1984-6746.2024.1.44937

Keywords:

physiology, art, decadence, modernity, criticism.

Abstract

In this paper, we intend to show that Nietzsche’s projects for the Physiology of Art have significantly developed in his later work, starting with a more literary emphasis and culminating in “scientific” applications. The different ways of relating literary and scientific sources make the physiology of art a relevant approach for the late Nietzsche to criticize the modern artists of décadence and to create conditions for the evaluative project of affirmative art. Finally, we will investigate the limits of Nietzsche’s critique of modern décadence.

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Author Biography

Clademir Luís Araldi, Universidade Federal de Pelotas (UFPel), Pelotas, Rio Grande do Sul, Brasil.

Master in Philosophy from the Federal University of Rio Grande do Sul (1995) and PhD in Philosophy from the University of São Paulo (2002). He is a Full Professor at the Federal University of Pelotas. He has experience in the area of ​​Philosophy, with emphasis on Ethics, History of Modern and Contemporary Philosophy and Nietzsche's Philosophy, working mainly on the following themes: ethics, critique of morality, genealogy and naturalism. He completed research internships at the Technical University of Berlin - Germany, in 2001-02, in 2007-08 and in 2014. He completed a postdoctoral fellowship at PGFILOS of the Federal University of Paraná (2020-2021). He is a member of the GT-Nietzsche of ANPOF, and a member of GIRN - Groupe International de Recherche sur Nietzsche and of Hyper-Nietzsche - International Research Group.

References

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Published

2024-08-28

How to Cite

Araldi, C. L. (2024). The physiology of art in late Nietzsche:. Veritas (Porto Alegre), 69(1), e44937. https://doi.org/10.15448/1984-6746.2024.1.44937

Issue

Vol. 69 No. 1 (2024): Single Volume - Continuous flow

Section

Philosophy & Interdisciplinarity

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