El rol de la perigrafía en la comunicación visual medioambiental

Autores/as

DOI:

https://doi.org/10.15448/1980-3729.2022.1.43260

Palabras clave:

Análisis visual, Comunicación medioambiental, Sudamérica, ONG, Perigrafía

Resumen

Este artículo busca analizar los elementos visuales diseñados para guiar la interpretación del significado de las fotografías publicadas a través de redes sociales por grupos medioambientalistas en Sudamérica, identificando qué posibilidades y sentidos pueden aportar en el proceso comunicacional. Por esta razón, analiza y compara las imágenes publicadas por tres filiales sudamericanas de Wildlife Conservation Society en Instagram: Argentina, Chile, y Colombia, considerando el rol complementario de este tipo de elementos sobre la fotografía y su repercusión en su significado.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Sebastian Aravena-Ortiz, University of Leicester (LE), Leicester, United Kingdom.

Maestría en Diseño Comunicacional por la Universidad de Buenos Aires (UBA), en Buenos Aires, Argentina. Investigador de doctorado en Medios y Comunicación en la Universidad de Leicester (LE), en Leicester, Reino Unido.

Pamela Gatica-Ramírez, Universidad de Chile (UChile), Santiago, Chile.

Doctora en Investigación en Diseño por la Universidad de Barcelona (UB), en Barcelona, España. Profesora de la Universidad de Chile (UCh), en Santiago, Chile.

Citas

BARTHES, Roland. El Mensaje Fotográfico. In: BARTHES, Roland. Lo Obvio y lo Obtuso: Imágenes, gestos, voces. Barcelona: Paidós, 1986. p. 11-28.

BARTHES, Roland. Rhetoric of the Image. In: HEATH Stephen (ed.). Image, Music, Text. London: Fontana, 1977. p. 32-51

BECK, Ulrich. La sociedad del riesgo: Hacia una nueva modernidad. Barcelona: Paidós, 1986.

BERGER, Peter; LUCKMANN, Thomas. La construcción social de la realidad. Buenos Aires: Amorrortu Editores, 1968.

COULDRY, Nick; HEPP, Andreas. The Mediated Construction of Reality. Cambridge, UK: Polity Press, 2016.

BOLTER, Jay David; GRUISIN, Richard. Remediation: Understanding New Media. Cambridge, MA, US: MIT Press, 2000.

CARRUTHERS, David. Environmental politics in Chile: Legacies of dictatorship and democracy. Third World Quarterly, London, n. 22, p. 343-358, 2001. https://doi.org/10.1080/01436590120061642.

COLOMBO, Gabriele; NIEDERER, Sabine. Visual Methods for Online Images: Collection, Circulation, and Machine Co-Creation. Diseña, Santiago de Chile, n. 19, p. Intro, 2021. https://doi.org/10.7764/disena.19.Intro.

COX, Robert; PEZZULLO, Phaedra. Environmental Communication and the Public Sphere. 4. ed. Los Angeles, CA, US: Sage, 2016.

DE LUCA, Kevin Michael; y DEMO, Anne Teresa. Imaging nature: Watkins, Yosemite, and the birth of environmentalism. Critical Studies in Media Communication, London, v. 17, n. 3, 2000. https://doi.org/10.1080/15295030009388395.

DE LUCA, Kevin Michael; y PEEPLES, Jennifer. From public sphere to public screen: Democracy, activism, and the “violence” of Seattle. Critical Studies in Media Communication, London, v. 19, n. 2, p. 125-151, 2002.

DOERR, Nicole; MILMAN, Noa. Working with Images. In: DELLA PORTA, Donatella (ed.) Methodological Practices in Social Movement Research. Oxford University Press, 2014. p. 418-445.

DRUCKER, Johanna. Visualization and Interpretation. Cambridge, MA, US: MIT Press, 2020.

DOYLE, Julie. Picturing the Clima(c)tic: Greenpeace and the Representational Politics of Climate Change Communication. Science as Culture, London, v. 16, n. 2, p. 129-150, 2007.

EDER, Klaus. The Social Construction of Nature. London: SAGE Publications, 1996.

EVANS COMFORT, Suzannah; HESTER, Joe Bob. Three Dimensions of Social Media Messaging Success by Environmental NGOs. Environmental Communication, London, n. 13, v. 3, p. 281-286, 2019. https://doi.org/10.1080/17524032.2019.1579746.

FIFKA, Matthias; KÜHN, Anna-Lena; LOZA ADAUI, Cristian; STIGLBAUER, Markus. Promoting Development in Weak Institutional Environments: The Understanding and Transmission of Sustainability by NGOS in Latin America. Volunt. Int. J. Volunt. Nonprofit Organ, [S. l.], n. 27, p. 1091-1122, 2016. https://doi.org/10.1007/s11266-016-9713-4.

GARRETT, R. Kelly. Protest in an information society: A review of literature on social movements and new ICTs. Information, Communication & Society, London, v. 9, n. 2, p. 202-224, 2006.

GERODIMOS, Roman. The Interdisciplinary Roots and Digital Branches of Visual Political Communication Research. In: VENETI, Anastasia; JACKSON, Daniel; LILLEKER, Darren. (ed.). Visual Political Communication. Cham, Switzerland: Palgrave Macmillan, 2019. p. 52-73. https://doi.org/10.1007/978-3-030-18729-3.

HALLIDAY, Michael Alexander Kirkwood. Language as Social Semiotic. London: Arnold, 1979.

HALLIDAY, Michael Alexander Kirkwood. An Introduction to Functional Grammar. London: Arnold, c1985.

HAND, Martin. Visuality in Social Media: Researching images, circulations and practices. In: SLOAN, Luke; QUAN-HAASE, Anabel. (ed.) The Sage Handbook of Social Media Research Methods. Thousand Oaks, CA: Sage, 2017.

HANSEN, Anders. Using visual images for showing environmental problems. In: FILL, Alwin; PENZ, Hermine (ed.). The Routledge Handbook of Ecolinguistics. London: Routledge, 2018. P. 179-195.

HANSEN, Anders. Communication, Media, and the Social Construction of the Environment. In: HANSEN, Anders; COX, Robert. (ed.). The Routledge Handbook of Environment and Communication. London: Routledge, 2015. https://doi.org/10.4324/9781315887586.

HANSEN, Anders. Environment, Media and Communication. London: Routledge, 2010.

HURLEY, Zoe. Imagined Affordances of Instagram and the Fantastical Authenticity of Female Gulf-Arab Social Media Influencers. Social Media + Society, Thousand Oaks, CA, v. 5, n. 1, p. 1-16, 2019. https://doi.org/10.1177/2056305118819241.

KATZ-KIMCHI, Merav; MANOSEVITCH, Idit. Mobilizing Facebook Users against Facebook’s Energy Policy: The Case of Greenpeace Unfriend Coal Campaign. Environmental Communication, London, v. 9, n. 2, p. 248-267, 2015. https://doi.org/10.1080/17524032.2014.993413.

KRIPPENDORF, Klaus. Content Analysis: an introduction to its methodology. 3. ed. Thousand Oaks, CA: Sage, 2013.

KRESS, Gunther; VAN LEEUWEN, Theo. Reading images: the grammar of visual design. 2. ed. London: Routledge, 2006.

LEONARDI, Paul M. Social Media, Knowledge Sharing, and Innovation: Toward a Theory of Communication Visibility. Information Systems Research, Catonsville, MD, v. 25, n. 4, p. 796-816, 2014.

LILLEKER, Darren; VENETI, Anastasia; JACKSON, Daniel. Introduction: Visual Political Communication. In: VENETI, Anastasia; JACKSON, Daniel; LILLEKER, Darren (ed.). Visual Political Communication. Cham, Switzerland: Palgrave Macmillan, 2019. p. 1-13. https://doi.org/10.1007/978-3-030-18729-3.

LILLEKER, Darren. The Power of Visual Political Communication: Pictorial Politics Through the Lens of Communication Psychology. In: VENETI, Anastasia; JACKSON, Daniel; LILLEKER, Darren (ed.). Visual Political Communication. Cham, Switzerland: Palgrave Macmillan, 2019. p. 37-52. https://doi.org/10.1007/978-3-030-18729-3.

MANZINI, Ezio. Politics of the Everyday. London: Bloomsbury, 2019.

MANZO, Kate. Imaging vulnerability: The iconography of climate change. Area, [S. l.], v. 42, n. 1, p. 96-107, 2010. https://doi.org/10.1111/j.1475-4762.2009.00887.x.

MARTINEC, Radan; SALWAY, Andrew. A system for image–text relations in new (and old) media. Visual Communication, London, v. 4, n. 3, p. 337-371. https://doi.org/10.1177/1470357205055928. 2005.

MIRZOEFF, Nicholas. Cómo ver el mundo. Tradução de Pablo Hermida Lazcano. Barcelona: Paidós, 2016.

NASIRITOUSI Naghmeh. NGOs and the environment. In: DAVIS, Thomas (ed.) Routledge Handbook of NGOs and International Relations. London: Routledge, 2019. p. 329-342

NOVELLI, Edoardo. Visual Political Communication in Italian Electoral Campaigns. In: VENETI, Anastasia; JACKSON, Daniel; LILLEKER, Darren (ed.). Visual Political Communication. Cham, Switzerland: Palgrave Macmillan, 2019. p. 145-163. https://doi.org/10.1007/978-3-030-18729-3.

O’NEILL, Saffron J.; BOYKHOFF, Maxwell; NIEMEYER, Simon; DAY, Sophie A. On the use of imagery for climate change engagement. Global Environmental Change, Amsterdam, v. 23, n. 2, p. 413-421, 2013.

RUBINSTEIN, Daniel; SLUIS, Katrina. A Life More Photographic. Photographies, London, v. 1, n. 1, p. 9-28, 2008. https://doi.org/10.1080/17540760701785842.

ROSE, Gillian. Visual Methodologies. London: Sage, 2002.

SAUNDERS, Clare; ROTH, Silke. NGOs and social movement theory. In: DAVID, Thomas (ed.) Routledge Handbook of NGOs and International Relations. London: Routledge, 2019. p. 138-152.

VAN LEEUWEN, Theo. Multimodality and Multimodal Research. In: PAUWELS, Luc; MANNAY, Dawn (ed.). The SAGE handbook of visual research methods. 2. ed. London: SAGE Publications, Inc., 2020. p. 549-569. https://www.doi.org/10.4135/9781526417015.

VAN LEEUWEN, Theo. Introducing Social Semiotics. London: Routledge, 2005.

WAGNER, Jon. Seeing things visual research and material culture. In: MARGOLIS, Eric; PAUWELS, Luc (ed.). The SAGE handbook of visual research methods. London: SAGE Publications Ltd, c2011. p. 72-96. https://www.doi.org/10.4135/9781446268278.

WCS. 120 Years, A Conservation Legacy. In: WCS. [S. l.], 2016. Disponible en: http://fscdn.wcs.org/2016/03/01/9kmyv16g9x_WCS_historical_timeline_February_2016.pdf. Consultado el: 9 jun. 2022.

WCS. Saving Wildlife and Wild Places. In: WCS. [S. l.], [2019]. Disponible en: https://c532f75abb9c1c021b8c-e46e473f8aadb72cf2a8ea564b4e6a76.ssl.cf5.rackcdn.com/2019/12/10/7vq8cbw8fo_WCS_Saving_Wildlife_Wild_Places_brochure_FINAL.pdf. Consultado el: 9 jun. 2022.

WE ARE SOCIAL Y HOOTSUITE. Digital 2022, Global Overview Report. We Are Social. In: Hootsuite. [S. l.], 2022. Disponible en: https://www.hootsuite.com/resources/digital-trends. Consultado el: 9 jun. 2022.

Descargas

Publicado

2022-07-13

Cómo citar

Aravena-Ortiz, S., & Gatica-Ramírez, P. (2022). El rol de la perigrafía en la comunicación visual medioambiental. Revista FAMECOS, 29(1), e43260. https://doi.org/10.15448/1980-3729.2022.1.43260

Número

Sección

DOSSIER - CAMBIOS TECNOLÓGICOS Y CULTURALES EN LA ERA DIGITAL