Brazilian fansubbers and their mediation policies on digital networks
DOI:
https://doi.org/10.15448/1980-3729.2020.1.36716Keywords:
Subcultural capital, Cultural mediation, FansubbersAbstract
The article discusses anime online fandom practices, with a particular focus on the fan-powered circuit and its collaboration system, which consists of the translation, subtitling and informal distribution of East Asian audiovisual products – usually anime – in the network universe digital. From an ethnographic inspired research with the agents involved in the translation and distribution activity of these products in Brazil, the text presents the active and plural policies that guide the collaborative activity of local fansubbers and, in turn, denounce a dispute for subcultural capital to these fan producers in their online communities. Fundamentally, the article contrasts with the idea of anime fan culture represented by brazilian fansubbers as a homogeneous community, with shared motivations and common conduct.
Downloads
References
ANNET, Sandra. Imagining Transcultural Fandom: Animation and Global Media Communities. Transcultural Studies, [s. l.], v. 2, n. 2, p. 164-188, dez. 2011.
BAYM, Nancy; BURNETT, Robert. Amateur Experts: International Fan Labor in Swedish Independent Music. International Journal of Cultural Studies, [s. l.], v. 12, n. 5, p. 433-449, 2009. https://doi.org/10.1177/1367877909337857
BOOTH, Paul. Digital Fandom: new media studies. New York: Peter Lang Publishing, 2010. https://doi.org/10.3726/978-1-4539-1654-4
BOURDIEU, Pierre. O mercado dos bens simbólicos. In: BOURDIEU, Pierre. A economia das trocas simbólicas. São Paulo: Perspectiva, 1974.
BOURDIEU, Pierre. A distinção: critério social do julgamento. Porto Alegre: Zouk, 2008.
CAMPANELLA, Bruno. O fã na cultura da divergência: hierarquia e disputa em uma comunidade on-line. Contemporânea: Revista de Comunicação e Cultura, Salvador, v. 10, n. 3, p. 474-489, 2012.
CAMPBELL, Colin. O consumidor artesão: cultura, artesania e consumo em uma sociedade pós-moderna. Antropolítica, Niterói, n. 17, v. 2, p. 45-67, 2004.
CHIN, Bertha; MORIMOTO, Lori Hitchcock Morimoto. Towards a Theory of Transcultural Fandom. Participations: Journal of Audience & Reception Studies, [s. l.], v. 10, n. 1, p. 92-108, 2013.
COOPER-CHEN, Anne. Cartoon planet: the cross-cultural acceptance of Japanese animation. Asian Journal of Communication, [s. l.], v. 22, n. 1, p. 44-57, 2012. https://doi.org/10.1080/01292986.2011.622774
ĆWIEK-ROGALSKA, Karolina; HOŁY-ŁUCZAJ, Magdalena; ŁUCZAJ, Kamil. Fansubbers. The case of the Czech Republic and Poland. Journal of Comparative Research in Anthropology and Sociology, [s. l.], v. 5, n. 2, p. 175-198, 2014.
DENISON, Rayna. Anime fandom and the liminal spaces between fan creativity and piracy. International Journal of Cultural Studies, [s. l.], v. 14, n. 5, p. 449-466, 2011. https://doi.org/10.1177/1367877910394565
DÍAZ-CINTAS, Jorge; MUÑOZ-SÁNCHEZ, Pablo. Fansubs: audiovisual translation in an amateur environment. The Journal of Specialised Translation, [s. l.], n. 6, p. 37-52, jul. 2006.
FERRER SIMÓ, María Rosario. Fansubs y scanlations: la influencia del aficionado en los criterios profesionales. Puentes, La Plata, AR, n. 6, p. 27-43, 2005.
FREIRE FILHO, João. Reinvenções da resistência juvenil: Os estudos culturais e as micropolíticas do cotidiano. Rio de Janeiro: Mauad, 2007.
IWABUCHI, Koichi. Recentering Globalization: Popular Culture and Japanese Transnationalism. London: Duke University Press, 2002. https://doi.org/10.1215/9780822384083
JENKINS, Henry. Cultura da Convergência. São Paulo: Aleph, 2009.
JENKINS, Henry. When piracy becomes promotion: how unauthorized copying made Japanese animation profitable in the United States. Reason Online, dez. 2006. Não paginado.
JENKINS, Henry. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge, 1992.
LAMARRE. Thomas. An introduction to Otaku Movement. Enter Text, [s. l.], v. 4, n. 1, p. 151-187, 2004.
LEE, Hye-Kyung. Cultural consumer and copyright. Creative Industries Journal, [s. l.], v. 3, n. 3, p. 235-250, 2010. https://doi.org/10.1386/cij.3.3.237_1
LEE, Hye-Kyung. Participatory media fandom: A case study of anime fansubbing. Media Culture Society, [s. l.], v. 33, n. 8. p. 1131-1147, 2011. https://doi.org/10.1177/0163443711418271
LEONARD, Sean. Progress against the law: anime and fandom, with the key to the globalization of culture. International Journal of Cultural Studies, [s. l.], v. 8, n. 3, p. 281-305, 2005. https://doi.org/10.1177/1367877905055679
LÉVY, Pierre. A inteligência coletiva: por uma antropologia do ciberespaço. 2. ed. Tradução de Luiz Paulo Rouanet. São Paulo: Loyola, 1999a.
LÉVY, Pierre. Cibercultura. São Paulo: editora 34, 1999b.
LUYTEN, Sonia Bibe. Cultura Pop Japonesa: mangá e anime. São Paulo: Hedra, 2005.
MONTE, Sandra. A presença do animê na TV brasileira. São Paulo: Ed. Laços, 2010.
MENDONÇA, Bruno Henrique Marques de. Modos de compartilhamento dos grupos de legendas: utilização das redes sociais e dos dispositivos da cultura digital para a produção de legendas artesanais. Dissertação (Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2014.
NAGADO, Alexandre. Almanaque da Cultura Pop Japonesa. Via Lettera, 2007.
NAPIER, Susan. From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West. Basingstoke: Palgrave Macmillan, 2007.
RONG, Zongxiao. Hybridity within peer production: The power negotiation of Chinese fansub groups. Dissertation (MSc in Media, Communication and Development) - Department of Media and Communications, London School of Economics and Political Science, 2014.
SATO, Cristiane A. Japop. O poder da cultura pop japonesa. São Paulo: NSP-Hakkosha, 2007.
SIGILIANO, Daiana; BORGES, Gabriela. Fansubbing: o diálogo entre a competência midiática e a produção dos fãs da ficção seriada. Animus: Revista Interamericana de Comunicação Midiática, Santa Maria, RS, v. 18, n. 38, p. 249-268, 2019. https://doi.org/10.5902/2175497736067
SPOLIDÓRIO, Samira M. Comunidades Online e Legendas de Fãs: Novas Formas de Produzir e Consumir Legendas. Campinas. Dissertação (Mestrado em Linguística Aplicada) - Instituto de Estudos da Linguagem (UNICAMP), Campinas, 2017.
THORNTON, Sarah. Club cultures: Music, media and subcultural capital. Connecticut: Wesleyan University Press, 1996.
URBANO, Krystal Cortez Luz. Legendar e distribuir: o fandom de animês e as políticas de mediação fansubber nas redes digitais. Dissertação (Mestrado em Comunicação) - Instituto de Arte e Comunicação Social, Universidade Federal Fluminense, Niterói, 2013.
VIRILIO, Paul. Velocidade e política. São Paulo, Estação Liberdade, 1996.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Revista FAMECOS
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright
The submission of originals to Revista Famecos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Revista Famecos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.
