The cinema and "new" technologies: the show continues

Authors

  • Cristiane Freitas University of Paris V - Sorbonne.

DOI:

https://doi.org/10.15448/1980-3729.2002.18.3165

Keywords:

Communication, movie theater, technologies

Abstract

This article reflects upon the impact of new technologies in contemporaneous cinema in order to show that those technologies awake old questions about cinematographic representation – but that, in spite of the changes in the manner of making and watching movies, the essence of cinema remains the same.

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Author Biography

Cristiane Freitas, University of Paris V - Sorbonne.

PhD in Sociology from the University of Paris V - Sorbonne.

References

AUMONT, Jacques; MARIE, Michel. Lʼanalyse des films. Paris: Nathan, 1988.

BAUDRILLARD, Jean. Simulacres et simulation. Paris: Galilée, 1981.

BAZIN, André, Quʼest-ce que le cinéma? Paris: Cerf, 1993.

CASSETI, Francesco. Les théories du cinéma depuis 1945. Paris: Nathan, 1999.

BERGSON, Henri. Matière et mémoire. Paris: PUF, 1997.

DELEUZE, Gilles. Lʼimage-mouvement. Paris: Minuit, 1983.

LÉVY, Pierre. Quʼest-ce que le virtuel? Paris: La Découverte, 1995.

MAFFESOLI, Michel. La contemplation du monde. Paris: Grasset, 1993.

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Published

2008-04-10

How to Cite

Freitas, C. (2008). The cinema and "new" technologies: the show continues. Revista FAMECOS, 9(18), 26–34. https://doi.org/10.15448/1980-3729.2002.18.3165

Issue

Vol. 9 No. 18 (2002)

Section

New Technologies

License

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