Magela Ferrero’s Photographic Poems: writing and image resistance in Personas que tienen hambre (2011)
DOI:
https://doi.org/10.15448/1984-4301.2019.3.34949Keywords:
Intermediality, Literature, Photography, Latin-American arts.Abstract
This article focus on an oeuvre by Uruguayan artist Magela Ferrero from a literary standpoint. As we consider it a kind of poetry conformed by space,
texts and photography, we have chosen an intermedial perspective as a suitable tool to grasp it and, we think, expand literary criticism horizons. We
also may think this kind of work part of relative new genres such as expand literature o literature hors du livre.
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