Photographic dictator replacement: possible representations and readings of p14311
DOI:
https://doi.org/10.15448/1984-4301.2019.3.33347Keywords:
Dictatorship. Remembrance. Book. Photography(s). P14311.Abstract
The representation and recollection of cultural identities can be realized in several different forms: historical writing, fiction, theater, documentaries,
cinematography, paintings, images, and photographs. In view of this, we intend to analyze some photographs of Diego Di Nigli’s book P14311, which is related to the period of the Brazilian dictatorship. Moreover, at the end of the book, there is a text by José Afonso Jr, teacher and researcher of photography at the Universidade Federal de Pernambuco (UFPE), in which he explains about book P14311 camera, and photography. In this way, our studies are based on bibliographical research based on concepts about photography, mainly as a form of memory, based on Barthes (1984), Kossoy (2001), Dubois (1993) and Felizardo and Samain (2007). We visit photography as a discursive form and a place of speech, and for this, we refer to the studies of Foucault (2008), Deleuze (1999) Ribeiro (2017) and Amaral (2005). Finally, the theoretical lines that we choose and outline according to our research proposal lead us to countless conclusions, among which we emphasize that in P14311 there is a lot of life behind death, suffering and the separations of families represented in it.
Downloads
References
AMARAL, Márcia Franz. Lugares de fala: um conceito para abordar o segmento popular da grande imprensa. Revista Contracampo. n. 12. p. 103-113, 2005. Disponível em: http://periodicos.uff.br/contracampo/article/view/17388/11025. Acessado em 22 de janeiro de 2019.
BARTHES, Roland. A câmara clara: nota sobre a fotografia. Tradução de Júlio Castañon Guimarães. Rio de Janeiro: Nova Fronteira, 1984. Disponível em: https://monoskop.org/images/d/d3/Barthes_Roland_A_camara_clara_Nota_sobre_a_fotografia.pdf. Acessado em 20 de janeiro de 2019.
DELEUZE, Gilles. O ato de criação. Tradução de José Marcos Macedo. São Paulo: Folha de São Paulo, 1999. Disponível em: https://lapea.furg.br/images/stories/Oficina_de_video/o%20ato%20de%20criao%20-%20gilles%20deleuze.pdf. Acessado em 21 de janeiro de 2019.
DI NIGLIO, Diego. P14311. Pernambuco: Fundarpe, 2018.
DUBOIS, Philippe. O ato fotográfico e outros ensaios. Tradução de Marina Appenzeller. Campinas, SP: Papirus, 1993. Disponível em: https://cteme.files.wordpress.com/2011/03/dubois-philippe-o-ato-fotogrc3a1fico-e-outros-ensaios-2.pdf. Acessado em 20 de janeiro de 2019.
FELIZARDO, Adair; SAMAIN, Etienne. A fotografia como objeto e recurso de memória. Revista Discursos fotográficos. Londrina, PR: v.3, p.205-220, 2007. Disponível em: http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1500/1246. Acessado em 20 de janeiro de 2019.
FOUCAULT, Michel. A arqueologia do saber. Tradução de Luiz Felipe Baeta Neves. 7. ed. Rio de Janeiro: Forense Universitária, 2008. Disponível em:http://www.uesb.br/eventos/pensarcomveyne/arquivos/FOUCUL.pdf. Acessado em 21 de janeiro de 2019.
KOSSOY, Boris. Fotografia e história. 2. ed. rev. São Paulo: Ateliê Editorial, 2001. Disponível
RIBEIRO, Djamila. O que é lugar de fala. Belo Horizonte: Letramento, 2017. p. 55-90. Disponível em: https://pt.scribd.com/document/374967246/O-Que-e-Lugar-de-Fala-Djamila-Ribeiro. Acesso em 19 de outubro de 2018.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
The submission of originals to Letrônica implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Letrônica as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.
