The critical reception of the opera in the fiction of Nélida Piñon

Authors

  • Carlos Magno Gomes Universidade Federal de Sergipe

Keywords:

Intertextualidade, metanarratividade, pós-moderno.

Abstract

This article analyzes how Nelida Piñon makes a critical reception of the opera by Giuseppe Verdi in the novel A força do destino (1977). This masterpiece highlights the role of the contemporary writer, since a classic is read from a post-modern place. In the intertextual relationship, the reception of the opera is explored as a cultural archive. Methodologically, we analyze the artistic intertextuality from the feminist place of the Brazilian writer. Taking the parodic game between opera and romance as a starting point, the irreverence of this postmodern metanarrative can be identified. Keywords: intertextuality, metanarrativity, postmodern.

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Author Biography

Carlos Magno Gomes, Universidade Federal de Sergipe

Prof. Adjunto de Letras da UFS. Editor do períodico Interdisciplinar. Pesquisador de Literatura e Estudos de Gênero.

Published

2011-07-27

How to Cite

Gomes, C. M. (2011). The critical reception of the opera in the fiction of Nélida Piñon. Letrônica, 4(1), 196–208. Retrieved from https://revistaseletronicas.pucrs.br/letronica/article/view/7709