La construcción de la familia en los largometrajes alemanes en la era digital
DOI:
https://doi.org/10.15448/1980-3729.2022.1.43340Palabras clave:
Cine, Largometraje alemán, Construcción de la realidadResumen
Este artículo examina críticamente las imágenes de la vida doméstica en el cine alemán de la era digital. Basado en la suposición de que el medio cinematográfico en Alemania, que en gran medida está patrocinado por el estado, refleja luchas por un significado legítimo, el análisis del discurso de 20 destacados largometrajes alemanes que tratan sobre asuntos familiares de la última década revela que, a pesar de los cambios culturales y tecnológicos, la producción cinematográfica nacional construye principalmente escenarios familiares idealistas que abogan por la cohesión y son poco progresistas.
Descargas
Citas
Kings. Directed by Theresa von Eltz. Germany: Global Screen, 2015. 1 DVD (99 min.), son., color.
Weeks. Directed by Anne Berrached. Germany: Beta Cinema, 2016. 1 DVD (103 min.), son., color.
km/h. Directed by Markus Goller. Germany: Beta Cinema, 2018. 1 DVD (116 min.), son., color.
A HEAVY Heart. Directed by Thomas Stuber. Germany: Picture Tree International, 2015. 1 DVD (109 min.), son., color.
ALL ABOUT Me. Directed by Caroline Link. Germany: Picture Tree International, 2018. 1 DVD (100 min.), son., color.
BENSHOFF, Harry M. Film and television analysis: An introduction to methods, theories, and approaches. London: Routledge, 2016.
COOKE, Paul. Contemporary German cinema. Manchester: Manchester University Press, 2012.
DAS SCHÖNSTE Mädchen der Welt [The Most Beautiful Girl in the World]. Directed by Aron Lehmann. Germany: Tobis Film [German distributor], 2018. 1 DVD (103 min.), son., color.
DENSON, Shane; LEYDA, Julia (ed.). Post-cinema: Theorizing 21st-century film. Falmer: Reframe Books, 2016.
DENZIN, Norman K. The cinematic society: The voyeur’s gaze. London: Sage, 1995.
ELSAESSER, Thomas. European cinema: Face to face with Hollywood. Amsterdam: Amsterdam University Press, 2005.
ENKEL FÜR Anfänger [Granny Nanny]. Directed by Wolfgang Groos. Germany: Studiocanal [German distributor], 2020. 1 DVD (104 min.), son., color.
FAIRCLOUGH, Norman. Analysing discourse: Textual analysis for social research. London: Routledge, 2004.
FEDERAL AGENCY FOR CIVIC EDUCATION. Scheidungen. In: Bpb. [S. l.], 2018. Available at: https://www.bpb.de/kurz-knapp/zahlen-und-fakten/europa/70518/scheidungen. Accessed on: April 29, 2022.
FEDERAL CRIMINAL POLICE OFFICE. Partnerschaftsgewalt: Kriminalstatistische Auswertung – Berichtsjahr 2020. In: BKA, [S. l.], 2021. Available at: https://www.bka.de/SharedDocs/Downloads/DE/Publikationen/JahresberichteUndLagebilder/Partnerschaftsgewalt/Partnerschaftsgewalt_2020.pdf;jsessionid=6433064D7C1A4B92A37B2E80D0786045.live602?__blob=publicationFile&v=2. Accessed on: April 29, 2022.
FEDERAL MINISTRY FOR FAMILY AFFAIRS, SENIOR CITIZENS, WOMEN AND YOUTH. Familie heute: Daten. Faten. Trends. Familienreport 2020. Berlin, 2020. Available at: https://www.bmfsfj.de/resource/blob/163108/ceb1abd3901f50a0dc484d899881a223/familienreport-2020-familie-heute-daten-fakten-trends-data.pdf. Accessed on: April 29, 2022.
FISKE, John. Television culture. London: Routledge, 1987.
FOUCAULT, Michel. The archeology of knowledge and the discourse on language. New York: Pantheon Books, 1972.
FOUCAULT, Michel. Truth and power. In: GORDON, Colin (ed.). Power/knowledge: Selected interviews and other writings 1972-1977 by Michel Foucault. New York: Pantheon Books, 1980. p. 109-133.
FRAU MÜLLER muss weg [Ms. Mueller Must Go]. Germany: Constantin Film Verleih [German distributor], 2015. 1 DVD (88 min.), son., color.
GERMAN FEDERAL FILM BOARD. Das Kinojahr 2021. In: FFA. [S. l.], 2022. Available at: https://www.ffa.de/download.php?f=97fa831a7820a2a0b28ede17c876b851&target=0. Accessed on: April 29, 2022.
HALL, Stuart. Encoding/decoding. In: HALL, Stuart; HOBSON, Dorothy; LOWE, Andrew; WILLIS, Paul (ed.). Culture, media, language: Working papers in cultural studies, 1972-1979. London: Routledge, 1980. p. 117-127.
HALLE, Randall. The Europeanization of cinema: Interzones and imaginative communities. Urbana: University of Illinois Press, 2014.
HAMMETT-JAMART, Julia; MITRIC, Petar; NOVRUP REDVALL, Eva (ed.). European film and television co-production: Policy and practice. Basingstoke: Palgrave Macmillan, 2018.
HICK, Jochen. The influence of TV and film funding on current European (low budget) art house films. Studies in European Cinema, [S. l.], v. 7, n. 1, p. 31-36, 2010.
HIGH Society. Directed by Annika Decker. Germany: Warner Bros. Pictures Germany [German distributor], 2017. 1 DVD (100 min.), son., color.
HONIG IM Kopf [Head Full of Honey]. Directed by Til Schweiger. Germany: Warner Bros. Pictures Germany [German distributor]. 1 DVD (139 min.), son., color.
IN THE Fade. Directed by Fatih Akin. Germany: The Match Factory, 2017. 1 DVD (106 min.), son., color.
JANCSARY, Dennis; HÖLLERER, Markus A.; MEYER, Renate E. Critical analysis of visual and multimodal texts. In: WODAK, Ruth; MEYER, Michael (ed.). Methods of critical discourse studies. London: Sage, 2016. p. 180-204.
KELLNER, Douglas. Media culture: Cultural studies, identity, and politics between the modern and the postmodern. London: Routledge, 2003.
KOKON [Cocoon]. Directed by Leonie Krippendorff. Germany, Salzgeber & Co. Medien [German distributor]. 1 DVD (99 min.), son., color.
LOIST, Skadi; PROMMER, Elizabeth. Gendered production culture in the German film industry. Media Industries, [S. I.], v. 6, n. 1, p. 95-115, 2019. Available at: https://quod.lib.umich.edu/m/mij/15031809.0006.106/--gendered-production-culture-in-the-german-film-industry?rgn=main;view=fulltext. Accessed on: April 29, 2022.
MÄNNERHORT [Men Refuge]. Directed by Franziska Meyer Price. Germany: Constantin Film Verleih [German distributor], 2014. 1 DVD (98 min.), son., color.
MEIN BLIND Date mit dem Leben [My Blind Date with Life]. Directed by Marc Rothemund. Germany: Studiocanal [German distributor], 2017. 1 DVD (111 min.), son., color.
MINGANT, Nolwenn; TIRTAINE, Cecilia (ed.). Reconceptualising film policies. New York: Routledge, 2016.
NEVER LOOK Away. Directed by Florian Henckel von Donnersmarck. Germany: Beta Cinema, 2018. 1 DVD (189 min.), son., color.
ORGAD, Shani. Media representation and the global imagination. Cambridge: Polity, 2012.
PHILO, Greg. Can discourse analysis successfully explain the content of media and journalistic practice? Journalism Studies, [S. l.], v. 8, n. 2, p. 175-196, 2007.
PROT, Sara; ANDERSON, Craig A.; GENTILE, Douglas A.; WARBURTON, Wayne; SALEEM, Muniba; GROVES, Christopher L.; BROWN, Stephanie C. Media as agents of socialization. In: GRUSEC, Joan E.; HASTINGS, Paul D. (ed.). Handbook of socialization: Theory and research. New York: Guilford Press, 2015. p. 276-300.
ROSE, Gillian. Visual methodologies: An introduction to researching with visual materials. London: Sage, 2016.
RYAN, Michael; KELLNER, Douglas. Camera politica: The politics and ideology of contemporary Hollywood film. Bloomington: Indiana University Press, 1988.
RYAN, Michael; LENOS, Melissa. An introduction to film analysis: Technique and meaning in narrative film. London: Continuum, 2012.
SUTHERLAND, Jean-Anne; FELTEY, Kathryn (ed.). Cinematic sociology: Social life in film. Thousand Oaks: Sage, 2013.
SYSTEM Crasher. Directed by Nora Fingscheidt. Germany: Beta Cinema, 2019. 1 DVD (125 min.), son., color.
THE BLOOM of Yesterday. Directed by Chris Kraus. Germany: Beta Cinema, 2016. 1 DVD (126 min.), son., color.
THE Manny. Directed by Matthias Schweighöfer. Germany: Picture Tree International, 2014. 1 DVD (110 min.), son., color.
TONI Erdmann. Directed by Maren Ade. Germany: The Match Factory, 2016. 1 DVD (162 min), son., color.
VAN BRUSSEL, Leen; CARPENTIER, Nico; DE CLEEN, Benjamin (ed.). Communication and discourse: Collected works of the Brussels discourse theory group. Bristol: Intellect, 2019.
VAN DIJK, Teun A. Principles of critical discourse analysis. Discourse & Society, [S. l.], v. 4, n. 2, p. 249-283, 1993.
VAN DIJK, Teun A. New(s) racism: A discourse analytical approach. In: COTTLE, Simon (ed.). Ethnic minorities and the media: Changing cultural boundaries. Buckingham: Open University, 2000. p. 33-49.
WELCOME TO Germany. Directed by Simon Verhoeven. Germany: Picture Tree International, 2016. 1 DVD (116 min.), son., color.
WIEDEMANN, Thomas. Struggling for legitimate meaning: Agent-structure dynamics in German filmmaking. International Journal of Media & Cultural Politics, [S. l.], v. 16, n. 3, p. 291-308, 2020.
WILDFEUER, Janina. Film discourse interpretation: Towards a new paradigm for multimodal film analysis. New York: Routledge, 2014.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2022 Revista FAMECOS
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
Derechos de Autor
La sumisión de originales para la Revista Famecos implica la transferencia, por los autores, de los derechos de publicación. El copyright de los artículos de esta revista es el autor, junto con los derechos de la revista a la primera publicación. Los autores sólo podrán utilizar los mismos resultados en otras publicaciones indicando claramente a Revista Famecos como el medio de la publicación original.
Creative Commons License
Excepto donde especificado de modo diferente, se aplican a la materia publicada en este periódico los términos de una licencia Creative Commons Atribución 4.0 Internacional, que permite el uso irrestricto, la distribución y la reproducción en cualquier medio siempre y cuando la publicación original sea correctamente citada.
