Michel Maffesoli and the imaginary: a way to understand cinema

Authors

  • Cristiane Freitas Gutfreind Pontifícia Universidade Católica do Rio Grande do Sul

DOI:

https://doi.org/10.15448/1980-3729.2004.25.3279

Keywords:

Cinema, Imaginary, Michel Maffesoli

Abstract

This text seeks to show the importance of the thought of the French sociologist Michel Maffesoli for the understanding the cinema as a vector of construction of the imaginary.

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Author Biography

Cristiane Freitas Gutfreind, Pontifícia Universidade Católica do Rio Grande do Sul

Professora titular do Programa de Pós-Graduação em Comunicação da Pontifícia Universidade Católica do Rio Grande do Sul.

References

BARTHES, Roland. L’obvie et l’obtus. Paris: Seuil, 1982.

KANT, Emanuel. Critique de la faculté de juger. Paris: Gallimard,

MAFFESOLI, Michel. Au creux des apparences. Paris: Plon, 1990.

______. Le mystère de la conjonction. Paris: Fata Morgana, 1997.

MORIN, Edgar. Le cinéma ou l’homme imaginaire. Paris: Minuit,

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Published

2008-04-13

How to Cite

Gutfreind, C. F. (2008). Michel Maffesoli and the imaginary: a way to understand cinema. Revista FAMECOS, 11(25), 18–21. https://doi.org/10.15448/1980-3729.2004.25.3279

Issue

Vol. 11 No. 25 (2004)

Section

Dossier Michel Maffesoli

License

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