Photographic dictator replacement: possible representations and readings of p14311
DOI:
https://doi.org/10.15448/1984-4301.2019.3.33347Keywords:
Dictatorship. Remembrance. Book. Photography(s). P14311.Abstract
The representation and recollection of cultural identities can be realized in several different forms: historical writing, fiction, theater, documentaries,
cinematography, paintings, images, and photographs. In view of this, we intend to analyze some photographs of Diego Di Nigli’s book P14311, which is related to the period of the Brazilian dictatorship. Moreover, at the end of the book, there is a text by José Afonso Jr, teacher and researcher of photography at the Universidade Federal de Pernambuco (UFPE), in which he explains about book P14311 camera, and photography. In this way, our studies are based on bibliographical research based on concepts about photography, mainly as a form of memory, based on Barthes (1984), Kossoy (2001), Dubois (1993) and Felizardo and Samain (2007). We visit photography as a discursive form and a place of speech, and for this, we refer to the studies of Foucault (2008), Deleuze (1999) Ribeiro (2017) and Amaral (2005). Finally, the theoretical lines that we choose and outline according to our research proposal lead us to countless conclusions, among which we emphasize that in P14311 there is a lot of life behind death, suffering and the separations of families represented in it.
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References
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