Vol. 44 No. 1 (2018): Dossier - Photography, visual culture and history: theoretical and methodological perspectives

 

DOI: https://doi.org/10.15448/1980-864X.2018.1

Published: 2018-04-18

Editorial

• Estudos Ibero-Americanos (Ibero-American Studies) review: continuity and commitment to academic excellence

  Tatyana de Amaral Maia

  1-2

  • PDF (Português (Brasil))

Presentation

• Photography, visual culture and history: theoretical and methodological perspectives

  Ana Maria Mauad, Charles Monteiro

  3-5

  • PDF (Português (Brasil))

Dossier - Photography, visual culture and history: theoretical and methodological perspectives

• Analyzing Historical Photographs: Genres, Functions, and Methodologies

  John Mraz

  6-16

  • PDF

• Photography and anthropogenesis: man's best friend

  Mauricio Lissovsky

  17-27

  • PDF (Português (Brasil))

• Images staged? Performative acts and construction of subjects in fashion photographs

  Maria do Carmo Teixeira Rainho

  28-40

  • PDF (Português (Brasil))

• Circuits and iconic potencial: Aylan Kurdi case

  Solange Ferraz de Lima, Vânia Carneiro de Carvalho

  41-60

  • PDF (Português (Brasil))

• Violence, memory and myth. Spectacularization of deth in the photography of Isidro Velázquez (Argentina)

  Cleopatra Barrios Cristaldo, Mariana Giordano

  61-75

  • PDF (Español (España))

• Migrants and phantoms: images and pictures of Benjamin Constant

  Marcos Felipe de Brum Lopes

  76-92

  • PDF (Português (Brasil))

• Mexican visual cornucopia: the photographs of the book México sus recursos naturales, su situación actual, 1922

  Carlos Alberto Sampaio Barbosa

  93-104

  • PDF (Português (Brasil))

• Images of inequality in Rio de Janeiro's photobooks: thevisuality in the history of a concept

  Maria Inez Turazzi

  105-119

  • PDF (Português (Brasil))

• Photography in Caras y Caretas magazine in Argentina (1898-1939): technical innovations, profesionalization and current images

  Cora Gamarnik

  120-137

  • PDF (Español (España))

• Visual searches. Representation and criminal identification through Chilean police magazines (1934-1961)

  Marco Antonio León León

  138-148

  • PDF (Español (España))

• The families of men. Traffics of humanism in international and Brazilian photography

  Erika Zerwes

  149-161

  • PDF (Português (Brasil))

Academic Interviews

• Entrevista realizada com Annateresa Fabris para o dossiê “Fotografia, cultura visual e história: perspectivas teóricas e metodológicas” (dezembro 2017)

  Ana Maria Mauad

  162-165

  • PDF (Português (Brasil))

Review

• Beyond the mer eimage: photography and research

  Núria F. Rius

  166-168

  • PDF (Español (España))

• Notes on a history of photography in the Latin America

  Carolina Martins Etcheverry

  169-172

  • PDF (Português (Brasil))

Open Section

• Heterotopic and National. Historical-anthropological Debates on Sambain the Vargas Era (1930-1945)

  Menara Lube Guizardi, Márcio Grijó Vilarouca

  173-185

  • PDF (Português (Brasil))

• Defying bipolarity: the diplomatic independence of the Christian Democratic Government in Chile and its rapprochement with the “Socialist World” (1964-1970)

  Rafael Pedemonte

  186-199

  • PDF (Español (España))

• “A chronicle on the instant facts”: The jogo do bicho in monologues poems interpreted and published in Rio de Janeiro in 1892 and 1894

  Silvia Cristina Martins de Souza

  200-212

  • PDF (Português (Brasil))

• The political performance of elites in exile: Leonel Brizola in Uruguay and Portugal

  Teresa Cristina Schneider Marques

  213-227

  • PDF (Português (Brasil))