THE SACRED IN THE WORK OF ANTÔNIO BANDEIRA
DOI:
https://doi.org/10.15448/1980-864X.1997.2.28275Abstract
He is considered as one of the first artists to use the Informal Abstraction in Brazil, after his first period participating in the second School of Paris (1946-1951); however, the artistic production of this artist was kept in permanent transit between the figurative and non-geometric branch of the abstraction and between the informal abstraction and the geometric abstraction. And differently from other followers of the informalism, Antônio Bandera kept on giving titles to his works, mainly to the trees and the cathedrals, in which he makes evident mythical and religious singularities. In special through the cathedrals, he ventures on a kind of revisiting of themes similar to those of Paul Klee, Mondrian and Pollock, which are reprocessed, re-coded and updated by him.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Almerinda da Silva Lopes
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright
The submission of originals to Estudos Ibero-Americanos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Estudos Ibero-Americanos as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.