Materialidades fílmicas, magia e montagem: Reflexões sobre a montagem cinematográfica em Interface (1995)
DOI:
https://doi.org/10.15448/1980-3710.2017.2.25050Keywords:
Harun Farocki, montagem, magia, SchnittstelleAbstract
Realizamos uma interpretação da obra Interface (1995), que nos convoca a fazer seis breves reflexões, relacionando questões sobre materialidades fílmicas, magia e montagem no contexto da sociedade industrial.
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