The representation of monsters and monstrosities in Literature and Cinema: transformation in A terceira margem do rio, by Nelson Pereira dos Santos

Abstract

The intention has this text to argue where measured the representation of the monsters and the monstrosities occurs as discursive construction in the film the Third Edge of the River (1994), Nelson Pereira Dos Santos, who congregates, in one alone body, six of First the Estórias, Guimarães Rosa, Sequência, Fatality, the girl of there, the edges of the joy and the Dagobé Brothers.