The author on stage

An interview with José-Luis Diaz

Authors

DOI:

https://doi.org/10.15448/1984-7726.2022.1.40394

Keywords:

Imaginary writer, Authorial scenographies, Authorship

Abstract

In this interview, French professor and researcher José-Luis Diaz, a specialist in the literature of the French Romantic period, resumes his theory of the imaginary writer and discusses important concepts for the understanding, not only of French Romantic writings, but of fundamental notions of literary theory. Clarifying issues related to authorship, the death of the author, biographism, intentionality, literary consecration and celebrity, the history of literature, comparative literature, literary reception and production, enunciation, ethos, among others, Diaz brings the author to the scene, showing the potentiality of the concept of authorial scenographies as a fruitful theoretical operator in the field of literature. 

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Author Biographies

Vagner Camilo, Universidade de São Paulo (USP), São Paulo, SP, Brasil.

Doutor em Teoria e História Literária pela Universidade Estadual de Campinas (UNICAMP), em Campinas, SP, Brasil. Professor livre docente de Literatura Brasileira na Universidade de São Paulo (USP), em São Paulo, SP, Brasil.

Paula Caldas Frattini, Universidade Estadual de Campinas (UNICAMP), Campinas, SP, Brasil.

Doutora em Estudos Linguísticos, Literários e Tradutológicos em Francês pela Universidade de São Paulo (USP), São Paulo, SP, Brasil; pós-doutorado em Literatura Brasileira na Universidade de São Paulo (USP), em São Paulo, SP, Brasil; pós-doutorado em Teoria e História Literária na Universidade Estadual de Campinas (UNICAMP), em Campinas, SP, Brasil.

Luciana Antonini Schoeps, Universidade de São Paulo (USP), São Paulo, SP, Brasil.

Doutora em Estudos Linguísticos, Literários e Tradutológicos em Francês pela Universidade de São Paulo (USP), em São Paulo, SP, Brasil; pós-doutorado em Literatura Brasileira na Universidade de São Paulo (USP), em São Paulo, SP, Brasil.

References

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CRISTIN, Claude. Aux origines de l’histoire littéraire. Grenoble: Presses Universitaires de Grenoble, 1973.

DIAZ, José-Luis. Devenir Balzac: l’invention de l’écrivain par lui-même. Paris: Christian Pirot, 2007a.

DIAZ, José-Luis. L’écrivain imaginaire: scénographies auctoriales à l’époque romantique. Paris, Honoré Champion, 2007b.

DIAZ, José-Luis. La notion d’“auteur” (1750-1850). In: LEFEVRE, Nicole-Jacques; REGARD, Frédéric (org.). Une histoire de la “fonction-auteur” est-elle possible? Saint-Etienne: Publications de l’Université de Saint-Etienne, 2001. p. 169-190.

DIAZ, José-Luis. Quelle histoire littéraire? Perspectives d’un dix-neuvièmiste. Revue d’histoire littéraire de la France, Paris, v. 103, p. 515-535, 2003. https://doi.org/10.3917/rhlf.033.0515. Disponível em: https://www.cairn.info/revue-d-histoire-litteraire-de-la-france-2003-3-page-515. Acesso em: 29 nov. 2020.

DIAZ, José-Luis. Génération Musset? Romantisme (textos reunidos por José-Luis Diaz), Paris, n. 147, p. 3-12, 2010. https://doi.org/10.3917/rom.147.0003. Disponível em: https://www.cairn.info/revue-romantisme-2010-1-page-3.htm. Acesso em: 29 nov. 2020.

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DIAZ, José-Luis. Quand la littérature formatait les vies. Revue COnTEXTES [en ligne], [S. l.], n. 15, 2015. Disponível em: https://contextes.revues.org/6046. Acesso em: 29 nov. 2020.

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FOUCAULT, Michel. Qu’est-ce qu’un auteur. In: FOUCAULT, Michel. Dits et écrits I: 1954-1969. Paris: Gallimard, 1994 [1969]. p. 789-821.

JAUSS, Hans Robert. A história da literatura como provocação para a ciência da literatura. Tradução de Sérgio Tellaroli. São Paulo: Ática, 1994 [1967].

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Published

2022-07-01

How to Cite

Camilo, V., Frattini, P. C., & Schoeps, L. A. (2022). The author on stage: An interview with José-Luis Diaz. Letras De Hoje, 57(1), e40394. https://doi.org/10.15448/1984-7726.2022.1.40394

Issue

Vol. 57 No. 1 (2022): Single Volume

Section

Interviews and Testimonials

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