The role of characters in plot dynamics
DOI:
https://doi.org/10.15448/1984-7726.2017.2.29185Keywords:
Plot, Narrative tension, Character, Narratology, Rhetorics, StylisticsAbstract
This article provides a summary of a book that lays the foundation for a stylistical and rhetorical approach of narratology whose aim is to describe with the greatest possible precision the mechanism of immersive and intriguing literary narratives. Noting the existence of a strong polysemy around the notion of plot, I propose to start with a functionalist definition capable to emphasize the close relationship between narrative dynamics and emplotment, which builds, maintain, and resolve tension in the aesthetic experience. I also mention how the characterization of characters and the mutability of their roles can determine in an essential way the profile of narrative tension.
Downloads
References
ABBOTT, H. Porter. Story, Plot, and Narration. In: HERMAN,
David (Org.). The Cambridge Companion to Narrative. Cambridg:
Cambridge University Press, 2007. p. 39-51.
BARONI, Raphaël. Intrigue et personnages dans les séries évolutives: quand l'improvisation devient une vertu. Télévision, n. 7, p. 31-48, 2016.
BARONI, Raphaël. L'oeuvre du temps. Poétique de la discordance narrative. Paris: Seuil, 2009.
BARONI, Raphaël. La Tension narrative. Suspense, curiosité et surprise. Paris: Seuil, 2007.
BARONI, Raphaël; REVAZ, Françoise (Org.). Narrative Sequence in Contemporary Narratology. Columbus: Ohio State University Press, 2016.
BARTHES, Roland. L'effet de réel. In: Le Bruissement de la langue. Paris: Seuil, 1984 (1968). p. 179-187.
BREMOND, Claude. Logique du récit. Paris: Seuil, 1973.
BRONCKART, Jean-Paul. Activité langagière, textes et discours. Paris: Delachaux & Niestlé, 1996.
BRONCKART, Jean-Paul. Le Fonctionnement des discours. Paris: Delachaux et Niestlé, 1985.
BROOKS, Peter. Reading for the Plot. Design and Intention in Narrative. Cambridge and London: Harvard University Press, 1992 (1984).
DANNENBERG, Hilary. Coincidence and Counterfactuality. Plotting Time and Space in Narrative Fiction. Lincoln and London: University of Nebraska Press, 2008.
DANNENBERG, Hilary. Plot. In: Routledge Encyclopedia of Narrative Theory. London: Routledge, 2005. p. 435.
DUFAYS, Jean-Louis. Stéréotype et lecture. Essai sur la réception littéraire. Bruxelles: Peter Lang, 2010 (1994).
ECO Umberto. Lector in Fabula. Paris: Grasset, 1985.
ECO, Umberto. L'oeuvre ouverte. Paris: Seuil, 1979.
ESCOLA, Marc. Le clou de Tchekhov. 2010. Retours sur le principe de causalité régressive, Fabula, Atelier de théorie littéraire. Disponível em: . Acesso em: 29 jul. 2014.
FLUDERNIK, Monika. Towards a ‘Natural’ Narratology. London: Routledge, 1996.
FREYTAG, Gustav. Die Technik des Drama. Leipzig: S. Hirtzel, 1863. Disponível em: <https://books.google.de/books?id=CDYLAAAAIAAJ&hl=fr>.
GERVAIS, Bertrand. Récits et actions: pour une théorie de la lecture. Longueuil: Le Préambule, 1990.
HAMON, Philippe. Le personnel du roman. Le système des personnages dans les Rougon-Macquart d'Émile Zola. Genève: Droz, 1983.
HERMAN, David Story Logic: Problems and Possibilities of Narrative. Lincoln: University of Nebraska Press, 2002.
JOUVE, Vincent. Pour une analyse de l'effet-personnage. Littérature, n. 85, p. 103-111, 1992.
KUKKONEN, Karin. Plot. In: HÜHN, Peter; MEISTER, Jan Christoph; PIER, John; SCHMID, Wolf (Org.). Handbook of Narratology. Berlin; New York: Walter de Gruyter, 2014. p. 706-719.
LAVOCAT, Françoise. Fait et fiction. Pour une frontière. Paris: Seuil, 2016.
MENU, Jean-Christophe. La bande dessinée et son double. Paris: L'Association, 2010.
PATRON, Sylvie. Le Narrateur. Paris: Armand Colin, 2009.
PHELAN James. Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative. Chicago: University of Chicago Press, 1989.
RICOEUR, Paul. Temps et récit I. L'intrigue et le récit historique. Paris: Seuil, 1983.
RYAN, Marie-Laure. Narrative as Virtual Reality. Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns
Hopkins University Press, 2001.
STERNBERG, Meir. Expositional modes and Temporal ordering in Fiction. Bloomington: Indiana University Press, 1993 (1978).
TRUFFAUT, François. Le Cinéma selon Hitchcock. Paris: Seghers, 1975.
VILLENEUVE, Johanne. Le Sens de l'intrigue, ou la narrativité, le jeu et l'invention du diable. Québec: Presses Universitaires de Laval, 2004.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
The submission of originals to Letras de Hoje implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Letras de Hoje as the site of original publication.
Creative Commons License
Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.