Por uma arte do quase-nada: a arte povera, do ponto de vista da sociologia do cotidiano

  • Christias Panagiotis University of Cyprus
Palavras-chave: Sociologie do cotidiano, a arte do quase-nada, Michel Maffesoli

Resumo

Este texto busca expandir, sobre o ponto de vista da sociologia do cotidiano, a importância da arte do quase-nada na constituição do laço social que forma a socialidade contemporânea.

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Biografia do Autor

Christias Panagiotis, University of Cyprus
Panagiotis Christias graduated form the National Technical University of Athens (NTUA) with the equivalent of a Master’s Degree on Fluid and Nuclear Engineering. He then continued his studies on Philosophy, Political and Social science in the Sorbonne and the EHESS, in Paris, where he obtained a PhD on Sociology (Université Paris Descartes, summa cum laude) and a PhD on Philosophy (Université de Paris 1 Panthéon-Sorbonne, summa cum laude).He specializes in moral, political and social philosophy. He has taught and given lectures in numerous Universities throughout the world and published more than sixty scientific works in seven languages. His last book retraces the Paulinian connivances to platonic thinking (Platon et Paul au bord de l’abîme. Pour une politique katéchontique, Paris, Vrin, 2014). He is actually preparing a book on the Aristotelian influences of Edmund Burke (Edmund Burke or the Mirror of Reason (provisional title), Boston-Leiden, Brill, 2015 under contract). He is currently a Tenured Associate Professor of History of Ideas at the University of Cyprus.

Referências

TARDE, Gabriel. Monadologie et sociologie. O Euvres de

Gabriel Tarde, v. I, Institut Synthélabo pour le progrès et

la connaissance, Paris, 1999.

Publicado
2008-04-13
Como Citar
Panagiotis, C. (2008). Por uma arte do quase-nada: a arte povera, do ponto de vista da sociologia do cotidiano. Revista FAMECOS, 11(25), 13-17. https://doi.org/10.15448/1980-3729.2004.25.3278
Seção
Dossiê Michel Maffesoli