FUNERARY ART: APPROPRIATION OF THE PIETÁ BY MARBLE WORKERS AND CONTEMPORARY SCULPTORS

Authors

  • Maria Elizia Borges

DOI:

https://doi.org/10.15448/1980-864X.1997.2.28272

Abstract

The conventional cemeteries of the XX century, secularized, it keep on their ground a sacred architecture. Sometimes, the funerary art serves from the erudite art when this one it popularize. The objective of the present communication is to stablish a bridge between the past traditions – Pietá of Michelangelo and the current experiences – “Sepultamento” by Victor Brecheret and other works made by marbles of Italian origin.

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Published

1997-12-31

How to Cite

Borges, M. E. (1997). FUNERARY ART: APPROPRIATION OF THE PIETÁ BY MARBLE WORKERS AND CONTEMPORARY SCULPTORS. Estudos Ibero-Americanos, 23(2), 15–28. https://doi.org/10.15448/1980-864X.1997.2.28272

Issue

Vol. 23 No. 2 (1997)

Section

Articles

License

Copyright (c) 2017 Maria Elizia Borges

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Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.