Portinari and social art

Authors

  • Annateresa Fabris

DOI:

https://doi.org/10.15448/1980-864X.2005.2.1339

Keywords:

Portinari, Social art, Muralism

Abstract


The interest in mural painting has resulted in many decision-makings in the 20th Century, among them the defense of large scale broadcasting of images shot through with the commitment of the artist with his own time and people. In the set of “economical cycles”, Portinari demonstrates that it is possible to “narrate a story” without the attachment to the official version, presenting a critical view of the Brazilian society from the nuclear theme of work.

Downloads

Download data is not yet available.

Downloads

Published

2005-12-31

How to Cite

Fabris, A. (2005). Portinari and social art. Estudos Ibero-Americanos, 31(2). https://doi.org/10.15448/1980-864X.2005.2.1339

Issue

Vol. 31 No. 2 (2005)

Section

Articles

License

Copyright

The submission of originals to Estudos Ibero-Americanos implies the transfer by the authors of the right for publication. Authors retain copyright and grant the journal right of first publication. If the authors wish to include the same data into another publication, they must cite Estudos Ibero-Americanos as the site of original publication.

Creative Commons License

Except where otherwise specified, material published in this journal is licensed under a Creative Commons Attribution 4.0 International license, which allows unrestricted use, distribution and reproduction in any medium, provided the original publication is correctly cited.