La visualidad apofática

Experiencia estética de los iconos

Autores/as

DOI:

https://doi.org/10.15448/1984-6746.2022.1.43270

Palabras clave:

iconos, teologia apofática, experiencia estética, iconoclasia bizantina, experiencia religiosa

Resumen

Este artículo trata sobre el carácter específico de la experiencia estética de los iconos. Defiendo la idea de que la experiencia estética de los iconos es una condición necesaria de su papel y función en la veneración cristiana y, además, que esta particular experiencia estética es de tipo apofático. Mis argumentos se desarrollarán en el contexto de la controversia sobre la iconoclasia en el Imperio Bizantino y la teología apofática del Pseudo Dionisio Areopagita. Además, estos argumentos deberán presentar dicho debate desde la perspectiva de la estética, a menudo pasada por alto en favor de cuestiones sobre aspectos de naturaleza más teológica u ontológica.

Descargas

Los datos de descargas todavía no están disponibles.

Biografía del autor/a

Una Popovic, University of Novi Sad (UNS), Novi Sad, Serbia.

PhD in Philosophy from the Belgrade University (BU), in Belgrade, Serbia. Professor at the University of Novi Sad (UNS), Novi Sad, Serbia.

Citas

ANDO, Clifford. Signs, Idols, and the Incarnation in Augustinian Metaphysics. Representations, [S. l.], v. 73, n. 1, p. 24-53, winter 2001. DOI: https://doi.org/10.1525/rep.2001.73.1.24

ANTONOVA, Clemena. Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God. London: Routledge, 2016. DOI: https://doi.org/10.4324/9781315610177

BARASCH, Moshe. Icon: Studies in the History of an Idea. New York: New York University Press, 1992.

BARBER, Charles. Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm. Princeton: Princeton University Press, 2002.

BESANCON, Alain. The Forbidden Image: An Intellectual History of Iconoclasm. Chicago: University of Chicago Press, 2000.

BRUBAKER, Leslie, HALDON, John F. Byzantium in the Iconoclast Era, C. 680-850: A History. Cambridge: Cambridge University Press, 2011.

BYCHKOV, Oleg V. Introduction. In: BYCHKOV, Oleg V., FODOR, James (ed.). Theological Aesthetics after von Balthasar. Burlington: Ashgate, 2008. p. xii.

JOHN OF DAMASCUS. Treatise III: Three Treatises on the Divine Images. Translation by Andrew Louth. New York: [s. n.], 2003.

KARAHAN, Anne. Byzantine Iconoclasm: Ideology and Quest for Power. In: KOLRUD, Kristine, PRUSAC, Marina (ed.). Iconoclasm from Antiquity to Modernity. Farnham: Ashgate, 2014. p. 75-94.

LEVINSON, Jerrold. Aesthetics and Ethics: Essays at the Intersection. Cambridge: Cambridge University Press, 1998. DOI: https://doi.org/10.1017/CBO9780511663888

LOUTH, Andrew. The Theological Argument about Images in the 8th Century. In: HUMPRHREYS, Mike (ed.). A Companion to Byzantine Iconoclasm. Leiden/Boston: Brill, 2021. p. 401-424. DOI: https://doi.org/10.1163/9789004462007_010

MAKRIDES, Vasilios N. Orthodox Christianity, Change, Innovation: Contradiction in Terms? In: WILLERT, Trine S., MOLOKOTOS-LIEDERMAN, Lina (ed.). Innovation in Orthodox Christian Tradition? The Question of Change in Greek Orthodox Thought and Practice. London: Routledge, 2016. p. 19-50.

MANGO, Cyril A. The Art of The Byzantine Empire 312-1453: Sources and Documents. Toronto: University of Toronto Press, 2004.

MONDZAIN, Marie-Jose. Image, Icon, Economy: The Byzantine Origins of the Contemporary Imaginary. Stanford: Stanford University Press, 2005. DOI: https://doi.org/10.1515/9781503619289

PENTCHEVA, Bissera V. The Sensual Icon: Space, Ritual, and the Senses in Byzantium. University Park: Pennsylvania State University Press, 2010.

PERL, Eric D. Theophany: The Neoplatonic Philosophy of Dionysius the Areopagite. New York: SUNY Press, 2007.

PSEUDO-DIONYSIUS AREOPAGITE. The Divine Names. In: JONES, John D. (trans.) The Divine Names and The Mystical Theology. Milwaukee: Marquette University Press, 1999. p. 107-210.

PSEUDO-DIONYSIUS AREOPAGITE. The Mystical Theology. In: JONES, John D. (trans.) The Divine Names and The Mystical Theology. Milwaukee: Marquette University Press, 1999. p. 211-224.

STANG, Charles M. Apophasis and Pseudonymity in Dionysius the Areopagite: “No Longer I”. Oxford: Oxford University Press, 2012. DOI: https://doi.org/10.1093/acprof:oso/9780199640423.001.0001

TSAKIRIDOU, Cornelia A. Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image. London: Routledge, 2013.

Descargas

Publicado

2022-10-11

Cómo citar

Popovic, U. (2022). La visualidad apofática: Experiencia estética de los iconos. Veritas (Porto Alegre), 67(1), e43270. https://doi.org/10.15448/1984-6746.2022.1.43270