The painting in Schelling and the Problem of Image

Authors

  • Fernando Ribeiro de Moraes Barros UFC - Universidade Federal do Ceará

DOI:

https://doi.org/10.15448/1984-6746.2010.3.6049

Keywords:

Art. Nature. Painting. Symbol. Image.

Abstract

In line with hypothetical views of nature and art, this article aims at showing the role of painting within Schelling’s philosophy. Submitting pictorial works to new theoretical and speculative conditions, his thought frequently impels us into a different treatment of visibility. Being like this, this paper equally aims at indicating that Schelling’s definition of painting echos and anticipates some questions raised by contemporary philosophy – specially by phenomenology – about image.

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Author Biography

Fernando Ribeiro de Moraes Barros, UFC - Universidade Federal do Ceará

Professor Adjunto, na área de Estética, da Universidade Federal do Ceará - UFC. Doutorado em Filosofia pela Universidade de São Paulo (2005). Mestrado em Filosofia pela Universidade de São Paulo (2001). Graduação em Filosofia pela Universidade de São Paulo (1999).

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Published

2010-12-30

How to Cite

de Moraes Barros, F. R. (2010). The painting in Schelling and the Problem of Image. Veritas (Porto Alegre), 55(3). https://doi.org/10.15448/1984-6746.2010.3.6049

Issue

Vol. 55 No. 3 (2010): Philosophy of Right

Section

Articles

License

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