Nietzsche and the language

Rationality as an impulse of expression of truth by the perspectivism in art and dance

Abstract

Between the main characteristics that came from the Nietzsche’s work is his big capacity of stylistic expression. The form as the philosopher shows various themes is permeated by a language that link with his thought, expressed in art and dance. From the absolute and one-side truth he carries to the plural perspective vision, so that the language, with the multiplicity of figures, seals of approval this process of metaphysical deconstruction. The organist conception, that characterizes the Nietzschean thought, comprehends instincts that indicate to artistic main vital dispositions, making sense to be appearance, concept to metaphor and truth to perspective. The resulting expression from this apparent, metaphorical and perspectivistic soul field translates into language, doing with that the aphorismatic suit that composes the nietzschian work constitutes a whole stablished by the critic to culture, precisely in its modern understanding. In what aspects the Nietzsche’s thought, appointed by diagnose procedure metaphysical moral values of culture, has in the language aningredient powerful of deconstruction? Since language is the expression by which truth presents itself, would not Nietzsche still be operating in the register of reason?